Ai Weiwei | Haines Gallery

Born in Beijing, China, 1957.

EDUCATION
Enrolled in Beijing Film Academy, 1978.
Lived in NYC, NY, 1981-1993.
Parsons School of Design, 1983.
Returned to China, 1993.
Founded China Art Archives and Warehouse, Beijing, China, 1994.

SELECTED SOLO EXHIBITIONS
2010
Acconci Studio + Ai Weiwei: A Collaborative Project, Para/Site Art Space, Hong Kong
Ai Weiwei, Haines Gallery, San Francisco, CA
Dropping The Urn, Arcadia University Art Gallery, Philadelphia, PA

2009
With Milk…find something everybody can use, Pavello Mies van der Rohe, Barcelona, Spain.
So Sorry, Hausderkunst, Munich, Germany.
World Map, Faurschou Beijing, China.
Ways Beyond Art, Ivorypress Art+Books, Madrid, Spain.
According to What?, MORI Art Museum, Tokyo, Japan.
Four Movements, Phillips de Pury & Company, London, England.
New York Photographs 1983-1993, Three Shadows Photography Art Centre, Beijing.

2008
Ai Weiwei, Albion Gallery, London
Illumination, Mary Boone Gallery, NYC, NY.
Ai Weiwei, Gallery Hyundai, Seoul, Korea.
Ai Weiwei, Groninger Museum, Groningen, Holland.
Under Construction, Sherman Contemporary Art Foundation, Sydney and Campbelltown Arts Center,
     Sydney, Australia.

2007
Fragments, Art Unlimited, Art 38 Basel, Basel, Switzerland.
Ai Weiwei, Galerie Urs Meile, Beijing-Lucerne, Lucerne, Switzerland.

2006
Fragments, Galerie Urs Meile, Beijing, China.

2004
Kunsthalle Bern, Bern, Switzerland.
Caermersklooster-Provinciaal Centrum voor Kunst & Cultuur, Ghent, Belgium.
Robert Miller Gallery, NYC, NY.

2003
Galerie Urs Meile, Lucerne, Switzerland.

1988
Old Shoes, Safe Sex, Art Waves Gallery, NYC, NY.

1982
Asian Foundation, San Francisco, California.

SELECTED GROUP EXHIBITIONS
2010
28th Bienal de Sao Paulo: In Living Contact, Sao Paolo, Brazil
Contemplating the Void: Interventions in the Guggenheim Museum, Guggenheim Museum, New York, NY

2009
Divergent Convergence, (Academic Committee) Beijing Urban Planning Centre, Beijing, China.
Hors Les Murs, Weapon Hall of the Conciergerie, Centre des Monuments Nationaux, Paris, France.
The Making of Art, Schirn Kunsthalle, Frankfurt, Germany.
I Want to Talk to You, T. Art Center, Beijing, China.

2008
Chinese Contemporary Art Awards, Ullens Center for Contemporary Art, Beijing, China.
Material Terrain, Haines Gallery, San Francisco, CA.
Mahjong: Contemporary Chinese Art from the Sigg Collection, Berkeley Art Museum and Pacific Film
     Archive BAM/PFA, Berkeley, CA.
Liverpool Biennial 2008, Liverpool Biennial of Contemporary Art, Liverpool, England.
Ai Weiwei, Groninger Museum, Groningen, Netherlands.
Ai Weiwei – Fairytale, IMA Institute of Modern Art, Brisbane, QLD, Australia.
Half-Life of a Dream: Contemporary Chinese Art from the Logan Collection, San Francisco Museum of
     Modern Art, San Francisco, CA.
China Power Station: Part III, MUDAM – Musée d’Art Moderne Grand-Duc Jean, Luxembourg,
     Luxembourg
From Nature, Carolina Nitsch, New York City, NY.
Delirious Beijing, PKM Gallery, Beijing, China.
Body Media, Shanghai Duolun Museum of Modern Art, Shanghai, China.
Accrochage, Galerie Urs Melle, Beijing-Lucerne, Luzern, Switzerland.
Selections from the Hara Museum’s Permanent Collection, Hara Museum of Contemporary Art, Tokyo.
Rojo a parte – Arte contemporáneo chino de la Colección Sigg, Fundación Joan Miró, Barcelona.
NEW VISTA – The Phenomenon of Post-Tradition in Contemporary Art, WHITE SPACE BEIJING,
     Beijing, China.
Branded and On Display, Tufts University Art Gallery, Medford, MA.

2007
Fortunate Objects: Selections from the Ella Fontanals Cisneros Collection, Cisneros Fontanals Art
     Foundation, Miami, FL.
China Now, Cobra Museum, Amstelveen, Netherlands.
Chinese Contemporary Art. La lunga Marcia dell’avanguardia, Villa Croce Museo d’Arte Contemporanea,           Genoa, Italy.
NET, Chambers Fine Art, Beijing, China.
MADE IN CHINA – the Estella collection, The Israel Museum, Jerusalem, Israel.
MADE IN CHINA – the Estella collection, Louisiana Museum of Modern Art, Humlebæk, Danmark.
Branded and On Display, Ulrich Museum of Art, Wichita, KS, USA.
Mahjong – Chinesische Gegenwartskunst aus der Sammlung Sigg, Rupertinum – Museum der Moderne
     Salzburg, Salzburg, Austria.
Bordeline/Moving Images 2007, Bordeline, Beijing, China.
What About Sculpture?, Chambers Fine Art – New York, New York City, NY.
Shooting back, T-B A21 – Thyssen-Bornemisza Art Contemporary, Vienna, Austria.
Dragon’s Evolution, ChinaSquare – New York, New York City, NY.
Forged Realities, Universal Studios – Beijing, Beijing, China.
The Year of the Golden Pig – Contemporary Chinese Art from the Sigg Collection, Lewis Glucksman
     Gallery, Cork, Ireland (Republic).
Metamorphosis: The Generation of Transformation in Chinese Contemporary Art, Tampere Art Museum,
     Tampere, Finland.
China Welcomes You… Desires, Struggles, New Identities, Kunsthaus Graz, Graz, Austria.
We are the Future, 2nd Moscow Biennale of Contemporary Art, Former Lenin Museum, Moscow, Russia.
The Real Thing: Contemporary Art from China, Tate Liverpool, Liverpool, England.
Documenta 12, Museum Fridericianum, Kassel, Germany.
2 Moscow Biennale of Contemporary Art, Moscow Biennale of contemporary art, Moscow, Russia.
Branded and On Display, Krannert Art Museum, Champaign, IL.
A Continuous Dialogue – Ai Weiwei, Cao Fei, Gu Dexin, Kan Xuan, Lu Chunsheng, Yan Lei,
Zheng Guogu, Zhuang Hui, Galleria Continua – San Gimignano, San Gimignano, Italy.

2006
Antique Modernity – Breaking Traditions, Ethan Cohen Fine Arts, New York, USA.
2006 Beaufort Outside, Museum of Modern Art, Oostende, Belgium.
A Continuous Dialogue, Galleria Continua, Beijing, China.
China Now: Faszination einer Weltveränderung, Sammlung Essl, Klosterneuburg/Vienna, Austria.
China Zwischen Vergangenheit und Zukunft/Between Past and Future – New Photography and Video from China, Haus der Kulturen der Welt, Berlin, Germany.
That is not for you – Diskurse der Skulptur, Thyssen-Bornemisza Art Contemporary, Vienna, Austria.
Regeneration, Contemporary Chinese Art from China and the US, Williams College Museum of Art,
     Williamstown, USA.
China Power Station I, Serpentine Gallery, London, UK.
Between Past and Future: New Photography and Video from China, Nasher Museum of Art at Duke
     University, Durham; Santa Barbara Museum of Art, Santa Barbara, USA.
Herzog & de Meuron. No.250., Eine Ausstellung, Haus der Kunst, Munich, Germany.
Busan Biennial 2006, Busan Museum of Modern Art, Busan, Korea.
Misleading Trails, Samek Art Gallery, Bucknell University, Lewisburg; Schick Art Gallery, Skidmore
     College, Saratoga Springs; Boyden Gallery, St. Mary’s College of Maryland, St. Mary’s City, USA.
Cityscapes ‘Beijing Welcomes You’. Ein Stadtmodell von Lu Hao sowie Fotograflen von Ai Weiwei,
     Kunsthaus Hamburg, Hamburg, Germany.
Inspired by China – Contemporary Furnituremakers Explore Chinese Traditions, Peabody Essex Museum,
     Salem, USA.
China Contemporary. Architecture, Art and Visual Culture, Netherlands Architecture Institute, Rotterdam,
     The Netherlands.
Black and Blue, Robert Miller Gallery, New York, USA.
Detours. Tactical Approaches to Urbanization in China, Eric Arthur Gallery, Faculty of Architecture,
     Landscape and Design, University of Toronto, Toronto, Canada.
MoCA Envisage / Entry Gate: Chinese Aesthetics of Heterogeneity, Museum of Contemporary Art Shanghai,
     Shanghai, China.
Mahjong – Chinesische Gegenwartskunst aus der Sammlung Sigg, Rupertinum – Hamburg, Germany.
Portable Temple, Triennial for Contemporary Art by the Sea, Beaufort.
Art in Motion, Shanghai Museum of Contemporary Art, Shanghai, China.
The 5th Asia-Pacific Triennial of Contemporary Art, Queensland Art Gallery, Queensland, Australia.
Zones of Contact, 15th Biennial of Sydney, Sydney, Australia.
Territorial. Ai Weiwei und Serge Spitzer, Museum für Moderne Kunst, Frankfurt am Main, Germany.
Altered, Stitched and Gathered, P.S. 1 Contemporary Art Center, Long Island City, New York, USA.

2005
The 2nd Guangzhou Triennial, Guangdong Museum of Art, Guangzhou, China.
Misleading Trails, Fine Arts Gallery, Vanderbilt University, Nashville; Charlotte and Philip Hanes Art
     Gallery, Wake Forest University, Winston-Salem; University of North Texas Art Gallery, Denton; Altgeld
     Gallery, Northern Illinois University, Dekalb, USA.
Regeneration. Contemporary Chinese Art from China and the US, University Art Gallery, University of
     California San Diego, La Jolla, USA.
Regeneration. Contemporary Chinese Art from China and the US, Arizona State University Art Museum,
     Tempe, USA.
Convergence at E116’/N40’, Platform China Contemporary Art Institute, Beijing, China.
Between Past and Future: New Photography and Video from China, Victoria and Albert Museum,
     London, UK.
Between Past and Future: New Photography and Video from China, Seattle Art Museum, Seattle, USA.
Herzog & de Meuron. An Exhibition, Tate Modern, London, UK.
A Strange Heaven – Contemporary Chinese Photography, Tennis Palace Art Museum, Helsinki, Finland.
Mahjong – Chinesische Gegenwartskunst aus der Sammlung Sigg, Kunstmuseum Bern, Berne, Switzerland.
1st Monpellier Biennial of Chinese Contemporary Art, Montpellier, France.
Cina. Prospettive d’Arte Contemporanea / China: As Seen by Contemporary Chinese Artists, Provincia di
     Milano, Spazio Oberdan, Milan, Italy.
No 250. An Exhibition. Beauty and Waste in the Architecture of Herzog & de Meuron, Netherlands
     Architecture Institute, Rotterdam, The Netherlands.

2004
Between Past and Future: New Photography and Video from China, International Center of Photography,
     NYC, NY; Museum of Contemporary Art Printemps Chicago and The David and Alfred Smart
     Museum of Art, Chicago.
Silknet – Emerging Chinese Artists, Galerie Urs Meile, Beijing-Lucerne, Lucerne, Switzerland.
Persona3, China Art Archives & Warehouse, Beijing, China.
Le Printemps de Chine, CRAC ALSAC, Altkirch, France.
Regeneration. Contemporary Chinese Art from China and the US, David Winton Bell Gallery, List Art
     Center Brown University, Providence, USA.
Regeneration. Contemporary Chinese Art from China and the US, John Paul Slusser Gallery, University of
     Michigan, Ann Arbor, USA.
On the Edge – Contemporary Chinese Photography & Video, Ethan Cohen Fine Arts, New York, USA.
Chinese Objects: Dreams & Obsessions, Salvatore Ferragamo Gallery, New York, USA.
Modern Style in East Asia, Beijing Tokyo Art Projects, Beijing, China.
Herzog & de Meuron. NO 250., Eine Ausstellung, Schaulager, Basel, Switzerland.

2003
New Zone: Chinese Art, Zacheta National Gallery of Art, Warsaw, Poland.
A Strange Heaven – Contemporary Chinese Photography, Galerie Rudolfinum, Praha, Czech Republic.
Junction. Chinese Contemporary Architecture of Art, Lianyang Architecture Art Museum, Shanghai, China.
Cement – Marginal Space in Contemporary Art, Chamber Fine Arts, New York, USA.

2002
China – Tradition und Moderne, Ludwig Galerie Schloss Oberhausen, Oberhausen, Germany.
Art from a Changing World, Ludwig Forum for International Art, Henie Onstad Kunstsenter, Hoevikodden,
     Norway.
1st Guangzhou Triennale 2002, Guangdong Museum of Art, Guangzhou, China.

2001
Take Part I, Galerie Urs Meile, Lucerne, Switzerland.
Take Part II, Galerie Urs Meile, Lucerne, Switzerland.
TU MU. Young Chinese Architecture, Aedes Galerie, Berlin, Germany.

2000
Fuck Off, Xi Suzhouhe 1133, Shanghai, China.
Portraits, Figures, Couples and Groups, Shanghai BizArt Center, Shanghai, China.
Our Chinese Friends, ACC Galerie and Galerie der Bauhaus-Universität (in collaboration with Galerie Urs
     Meile, Beijing-Lucerne), Weimar, Germany.

1999
Innovations Part I, China Art Archives and Warehouse, Beijing, China.
d’Apertutto, La Biennale di Venezia, 48. Esposizione Internationale d’Arte, Venice, Italy.
Modern China Art Foundation Collection, Caermersklooster – Provinciaal Centrum voor Kunst en Cultuur,
     Gent, Belgium.
Concepts, Colors and Passions, China Art Archives & Warehouse, Beijing, China.

1998
Double Kitsch: Painters from China, Max Protetch, New York, USA.

1997
A Point of Contact, Korean, Chinese, Japanese Contemporary Art, Daegu Art & Culture Hall, Taegu, Korea.

1996
Peter Ludwig Collection, Koln, Germany.
Begegnung mit China, Ludwig Forum für Internationale Kunst, Aachen, Germany.

1995
Configura 2 – Dialog der Kulturen, Angermuseum, Galerie am Fischmarkt, Erfurt, Germany.
Change- Chinese Contemporary Art Exhibition, Göteborgs Konstmuseum, Göteborg, Sweden.

1993
Chinese Contemporary Art – The Stars 15 Years, Tokyo Gallery, Tokyo, Japan.

1989
The Star: Ten Years, Hanart Gallery, Hong Kong, Taipai, Taiwan, and Paris, France.

1987
The Star of Harvard, Fairbank Center, Harvard University, Cambridge, Massachusetts.

1986
China’s New Expression, Municipal Gallery, NYC, NY.
Chinese Avant-Garde Art, Vassar College Gallery, Poughkeepsie, New York.

1980
The Stars Second Exhibition, National Gallery, Beijing, China.

1979
The Stars First Exhibition, Beijing, China.

SELECTED BIBLIOGRAPHY
2010
Baker, Kenneth, Ai Weiwei: Sculptural pileup of meaning, San Francisco Chronicle, 8 May 2010.
Welch, Brady, Ai Weiwei, Art Practical, May 2010.
Swanhuyser, Hiya, Ai Weiwei, SF Weekly, May 2010.
Denmark’s Little Mermaid unveiled at Shanghai Expo, BBC, 26 April, 2010.
Pilling, David, Lunch with the FT: Ai Weiwei, Financial Times, 23 April, 2010.
Richardson, Sophie, The Thinker: A Second Chance for China, Jakarta Globe, 19April, 2010.
Millward, Steven, A beginner’s guide to Chinese artist, activist, and twitterer Ai Weiwei, CNET Asia,
    19 April, 2010.
Kielburger, Craig and Marc, Fighting Censorship Through Sancions, The Huffington Post, 9 April 2010.
Custer, C., Catching Up With Ai Weiwei, China Geeks, 7 April, 2010.
Sheerin, Mark, Ai Weiwei to undertake Unilever commission at Tate Modern Turbine Hall, Culture24
     5 March 2010.
Searle, Adrian, Turbine Hall commission: Adrian Searle profiles artist Ai Weiwei, Guardian 5 March 2010
Hornby, Lucy, Interview – Chinese artist Ai Weiwei makes Internet his medium, Reuters India 5 March 2010.
Tao, Wen, Ai Weiwei takes on ministry, Global Times 3 March 2010.
Olsen, Alexa, China activist demands quake recovery budget info, Associated Press 2 March 2010.
Kelley, Jeff, Ai Weiwei: Haust Der Kunst, Munich, Artforum March 2010.
Coonan, Clifford, An Artist’s struggle for justice in China, The Independent 27 February 2010.
Ai Weiwei Protests Beijing Art Zone Demolition, Xinhua Reports, Bloomberg.com 22 February 2010.
Ai Weiwei, Google Gives Us Hope, The Wall Street Journal 10 February 2010.
Xu, Carol, Top 100 named in China Art, Global Times 02 February 2010.
Ai Weiwei, Outlook, BBC World Service first aired 11 January 2010.
Ho, Stephanie, Chinese Cyber-Activists Lend Support to Democracy Activists in Iran, Voice of America
    7 January 2010.
Cembalest, Robin, A Dealer With Ideas, ARTNews January 2010.
Baker, Kenneth, Ai Weiwei, ARTNews January 2010.

2009
Powers, Robert, Exhibition Reviews: Real-Life Fairy Tales and Ai Weiwei’s World Map, Global Times
     17 December 2009.
White, Murray, How China is using art (and artists) to sell itself to the world, The Star 12 December 2009.
Chinese Artist Ai Weiwei Transforms the Mies van der Rohe Pavilion, ArtDaily.org 11 December 2009.
Ai Weiwei opens a series of ‘Conversations’ with a discussion about his art, activism, and twittering,
     Art Observed 5 December 2009.
Gill, Chris, To Use Art is not Enough, The Art Newspaper 3 December 2009.
Finch, Charlie, Has Art Jumped the Shark?, artnet December 2009.
Wines, Michael, China’s Impolitic Artist, Still Waiting to Be Silenced, The New York Times 27
     November 2009.
Xueqing, Jiang, The Bold and the Beautiful, Global Times 26 November 2009
Ai Weiwei, My Ordeal, Newsweek 12 November 2009.
Still Unbowed Ai Weiwei in Munich, Arts.21, Deutsche Welle first aired 12 October 2009.
Gill, Chris, “To Use Art is not Enough”, The Art Newspaper 3 December 2009.
Wines, Michael, China’s Impolitic Artist, Still Waiting to Be Silenced, The New York Times
     27 November 2009.
Xueqing, Jiang, The Bold and the Beautiful, Global Times 26 November 2009
Ai Weiwei, My Ordeal, Newsweek 12 November 2009.
Tachibana, Michiko, According to Ai, Tokyo Art Beat 23 August 2009.
Tinari, Philip, Eye for an Ai, Artforum 01 August 2009.
Worrall, Julian, Escape from Propaganda, The Japan Times 31 July 2009.
Ai Weiwei’s new exhibition at Mori Art Museum, Tokyo, RedBox Review 30 July 2009.
Grauman, Brigid, The State of Things, Palais des Beaux-Arts, Brussels, Financial Times 27 October 2009.
Interview with Ai Weiwei; Domus, Architecture of China 25 October 2009.
Go See: Munich: Ai Weiwei’s Politically Charged ‘So Sorry’ at Haus der Kunst, Art Observed
     23 October 2009.
Zhi, Lin, Exhibition of Chinese, Belgian Modern Art Opens in Brussels, China View 17 October 2009.
Hickley, Catherine, Ai Weiwei, Nursing Head Wound, Sharpens China Criticism: Review, Bloomberg
     14 October 2009.
Ballweg, Silke, Chinese Artist Ai Weiwei opens critical exhibition in Munich, Deutsche Welle 14 October 2009.
Ai Weiwei Presents New Works Specifically Made for Haus der Kunst, ArtDaily.org 12 October 2009.
Ai Weiwei: So Sorry, The Art Newspaper 12 October 2009.
Pomfret, James, Artists recall birth pains of contemporary Chinese art, Reuters UK 28 September 2009.
Pearlman, Ellen, Letter From Beijing, The Brooklyn Rail September 2009.
Bougon, Francois, China’s Ai Weiwei: an artist with politics on his mind, AFP 16 September 2009.
Pedroletti, Brice, Ai Weiwei, l’art de la provocation, Le Monde 7 September 2009.
Tachibana, Michiko, According to Ai, Tokyo Art Beat 23 August 2009.
Tinari, Philip, Eye for an Ai, Artforum 01 August 2009.
Worrall, Julian, Escape from Propaganda, The Japan Times 31 July 2009.
Ai Weiwei’s new exhibition at Mori Art Museum, Tokyo, RedBox Review 30 July 2009.
Gill, Chris, China cenors Ai Weiwei, The Art Newspaper July/August 2009
Ng, David, Ai Weiwei’s 10-hour ‘Chang’an’ video comes to MOCA, Los Angeles Times, 10 July 2009.
Hilgers, Lauren, Ai Weiwei, The Stimulist, 10 June 2009.
Liu, Alice Xin, In Defiance of China’s Green Dam, Guardian.co.uk 25 June 2009.
Ai Weiwei Proposes Cyberspace Boycott, Artnet 23 June 2009.
Oster, Shai. The Collector: Ai Weiwei. The Wall Street Journal 22 May 2009.
Ai Weiwei: Interview Transcript. Time: The China Blog 12 May 2009.
Robinson, W. Ai Weiwei’s Earthquake Activism. Artnet 12 May 2009.
Kovskaya, Maya. Ai Weiwei: New York Photographs 1983-1993. Art Review March 2009.
Barboza, David. Artist Defies Web Censors in a Rebuke of China. The New York Times 19 March 2009.
Osnos, Evan. New York Through Foreign Eyes. The New Yorker 17 February 2009.
Manaugh, Geoff. Ai Weiwei: Surgeon of Space. Phillipsartexpert.com 17 February 2009.

2008
Ai Weiwei. 500 Words. Artforum 4 December 2008.
Broucher, Brian. Ai Weiwei at Mary Boone. Art in America June-July 2008.
Jasper, Adams. Critical Mass. ART REVIEW May 2008: pages 52-63.
de Muynck, Bert. Bert de Muynck on ORDOS100: avant-garde architecture in the desert. Artforum
     22 April 2008
Art and Its Markets: A Roundtable Discussion. Artforum April 2008.
Pollack, Barbara. Ai Weiwei, “Illumination”. Time Out New York 9-15 April, 2008: Issue 654.

2007
Pollack, Barbara. Art’s New Superpower. Vanity Fair December 2007.
Ruiz, Cristina. Ai Weiwei’s spider’s web for Liverpool. The Art Newspaper 29 November 2007: Issue 186.
Jocks, H-N. Ai Weiwei. Das Märchen von 1001 Chinesen. Kunstforum International August-September, Bd.
     187, pp. 428-443.
Hopfener, B. Kunst aus China auf der Art Basel. Steigende Nachfrage. 21 June 2007.
Tinari, Philip. A Kind of True Lving. Artforum Summer 2007.
Frilanz, J. I Don’t Love Art. Artnet 2007. www.artnet.de
Neidhart, C. Der Chinesentransporter. Weltwoche, 2007. pp. 74-76.
Cripps, Charlotte, Explosive energy from the East, The Independent (London) March 2007.
Tinari, Philip, A Kind of True Living. Artforum. Summer 2007: pp. 452-459.
Cotter, Holland, Asking Serious Questions In a Very Quiet Voice, The New York Times 22 June 2007:
     pp. E29-E30.
Merewether, Charles. Ai Weiwei. The Freedom of Irreverence. Art Asia Pacific Issue 53: May/June 2007,
     pages 108-111.
Smith, K. Ai Weiwei. In: Tate Liverpool, The Real Thing. Contemporary Art from China Liverpool: Tate
     Liverpool. pages. 30-42.
Yao, P. J. Ai Weiwei. Contemporary Art & Investment April 2007: pages 22-23.

2006
Jun, Jun, No Frontiers – The Artwork of Ai Weiwei. ARTCO May 2006: pp. 220-221.

2005
China’s New Faces: Ai Weiwei. BBC News March 2005.

2004
Cotter, Holland. Art in Review; Ai Weiwei. The New York Times 1 October 2004.
Colonnello, Nataline, Beyond the Checkmate. Art Asia Pacific, Spring 2004, pages 52-58.

SELECTED PUBLICATIONS
Harmon, Katherine & Clemens, Gayle. The Map as Art. Princeton Architectural Press, 2009.
Smith, Karen, Obrist, Hans Ulrich, and Fibicher, Bernard. Ai Weiwei. Phaidon Press, 2009.
Merewether, Charles, Aaron Betsky. Ai Weiwei: Beijing, Venice. London, Herzog & de Meuron.
     Walther Konig, 2009.
Cree, Laura Murray (ed.). Ai Weiwei: Under Construction. University of South Wales Press/SCAF/CAC,
     Sydney, 2009.
Meile, Urs, Pakesch, Peter, and Ai Weiwei (ed.). Ai Weiwei: Works 2004-2007. JRP/Ringier, 2008.
Smith, Karen and Van der Zijpp, Sue-an. Ai Weiwei. NAi Pulishers, 2008.
Grosenick, Uta/Schubbe, Caspar (Ed.). China Art Book. Dumont Buchverlag, Cologne 2007.
Ai Weiwei, Chen Weiquing (ed.). Ai Weiwei: Fragments Beijing 2006. Timezone 8, 2007.
Ai Weiwei (ed.). Ai Weiwei: Beijing 10/2003. Timezone 8, 2005.
Merewether, Charles (ed.). Ai Weiwei: Works Beijing 1993-2003. Timezone 8, 2004.

CURATORIAL WORK
2009
The State of Things. Brussels/Beijing, (Co-Curator), Europalia International Arts Festival, Centre for Fine                Arts, Brussels, Belgium