EDUCATION
2003 MFA, Stanford University
1995 BFA, San Francisco Art Institute
1990-1994 Kunstakademie Düsseldorf, Germany
SELECTED SOLO EXHIBITIONS
2012
"Offsite: Kota Ezawa," Vancouver Art Gallery, Vancouver, Canada
"The Curse of Dimensionality," Haines Gallery, San Francisco
2011
"Paper or Plastic," Mendes Wood, Sao Paulo Brazil
"City of Nature," Feldbuschwiesner Galerie, Berlin, Germany
"City of Nature," Murray Guy, New York
"City of Nature," Madison Square Park, New York
2010
“Upstairs Downstairs,” Prichard Art Gallery, University of Idaho, Moscow, ID
“Beatles Über California,” Galerie Anita Beckers, Frankfurt, Germany
“Splicing Life”, Contemporary Art Galleries, University of Connecticut, Storrs, CT
“Spring Releases: Etchings by Christopher Brown, Kota Ezawa & Clare Rojas,” Paulson Bott Press,
Berkeley, CA
“Project 35,” Saint Joseph College Art Gallery, West Hartford, CT
“Moyra Davey, Barbara Probst, Kota Ezawa,” The Armory Show, exhibited with Murray Guy Gallery,
New York, NY
2009
“Odessa Staircase Redux,” Haines Gallery, San Francisco, CA
“Medley,” Franklin Art Works, Minneapolis, MN
“Medley,” The Box, Wexner Center for the Arts, Columbus, Ohio
San Francisco Arts Commission Market Street Poster Kiosks, San Francisco, CA
“Group Show,” Galerie Anita Beckers, Frankfurt, Germany
“Animated Painting,” Faulconer Gallery, Grinnell College, Grinnell, Iowa
“Animated Painting,” El Cubo at Centro Cultural Tijuana, Baja California, Mexico
2008
“Ezawa: Brawl,” Luckman Gallery, Luckman Fine Arts Complex, California State University,
Los Angeles, CA
“Multiplex,” Murray Guy, New York, NY
“Lennon Sontag Beuys”, St. Louis Art Museum, St. Louis, MO
“Documenta”, Arquebuse Gallery, Geneva, Switzerland. (with Dietmar Lutz)
2007
“Hotel California,” The Hayward Gallery, Southbank Centre, London, England
“The History of History,” Charles H. Scott Gallery, Emily Carr Institute of Art and Design, Vancouver,
Canada.
“Re-Animating History,” Williams College Museum of Art, Williamstown, MA
“Media Test Wall - Kota Ezawa: Three Works”, MIT List Visual Arts Center, Cambridge, MA
“Last Year At Marienbad,” Gandy Gallery, Bratislava, Slovak Republic
2006
“Kota Ezawa,” Artpace, San Antonio, TX
“The History of Photography Remix”, Haines Gallery, San Francisco, CA
2005
“Matrix 154”, Wadsworth Atheneum Museum of Art, Hartford, CT
“Lennon Sontag Beuys,” Murray Guy, New York, NY
“On Photography,” Santa Monica Museum of Art, Santa Monica, CA
“The History of Photography Remix,” Art Positions, Art Basel Miami Beach exhibited with Haines Gallery
2004
“Version,” New Langton Arts, San Francisco (and Michele O’Marah)
2003
“Who’s Afraid of Black, White and Grey,” Haines Gallery, San Francisco
SELECTED GROUP EXHIBITIONS
2011
"HERE. Survey Exhibition on Contemporary and Historical Photography from the Bay Area", Pilara
Foundation, Pier 24 Photography, San Francisco, CA
“Reconstructed World,” di Rosa Preserve, Napa, CA
“The More Things Change,” San Francisco Museum of Modern Art, San Francisco, CA
“The Image in Question,” curated by Harun Farocki and Antje Ehmann, Mathildenhöhe, Darmstadt, Germany
“Blink,” Denver Art Museum, Denver, CO
“H-Box,” Artsonje Museum, Seoul, Korea
“Seeing Now: Photography Since 1960,” Baltimore Museum of Art, MD
“Watch This! New Directions in the Art of the Moving Image,” Smithsonian American Art Museum,
Washington, DC
"Serious Games: War-Media-Art," Mathlidenhöhe, Darmstadt, Germany
"Super 8," Christopher Grimes Gallery, Santa Monica, CA
2010
“The Image in Question,” Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA
“21st Century: Art in the First Decade,” Queensland Art Gallery, Brisbane, Australia
"Pervasive Influence: The Mechanical Bride," Museum of Contemporary Canadian Art, Toronto, Canada
"21st Century: Art in the First Decade," Queensland Art Gallery, Brisbane, Australia
“The Tell-Tale Heart (Part 2),” James Cohan Gallery, New York, NY
“New York Now,” Murray Guy, New York, NY
“3+3,” Haines Gallery, San Francisco, CA
“New Art for a New Century,” Orange County Museum of Art, Newport Beach, CA
“Endgame,” Slaughterhousespace, Healdsburg, CA
“Splicing Life”, Contemporary Art Galleries, University of Connecticut, Storrs, CT
“Spring Releases: Etchings by Christopher Brown, Kota Ezawa & Clare Rojas,” Paulson Bott Press,
Berkeley, CA
“Project 35,” Saint Joseph College Art Gallery, West Hartford, CT
“CUE: Artists’ Videos,” Vancouver Art Gallery, Vancouver, British Columbia, Canada
“Video Art: Replay, Part 2, Everyday Imaginary,” Institute of Contemporary Art, Philadelphia, PA
Remise Animation, Städtische Galerie Delmenhorst, Germany
“Bruce Conner: Long Play and the Singles Collection,” San Francisco Museum of Modern Art,
San Francisco, CA
“Until Now: Collecting the New,” Minneapolis Institute of Arts, Minneapolis, MN
2009
“Talking Pictures,” SITE, Santa Fe, NM
“Material Witness,” Berkeley Art Museum, Berkeley, CA
“San Francisco Plays Itself,” Camerawork, San Francisco, CA
“Dress Codes: The Third ICP Triennial of Photography and Video,” International Center of Photography,
New York, NY
“Into the Atomic Sunshine in Okinawa- Post-War Art under Japanese Peace Constitution Article 9”, Okinawa
Prefectural Museum & Art Museum, Okinawa, Japan
“Untitled (History Painting): Painting and Public Life in the 21st Century,” University of Michigan Museum
of Art, Ann Arbor, MI
“Matthew Buckingham, Cliff Evans, Kota Ezawa, Cao Fei,” H Box, Orange County Museum of Art, CA
“The Moving Image: Scan to Screen, Pixel to Projection,” Orange County Museum of Art, CA
“LandMark”, Haines Gallery, San Francisco, CA
“Superlight: Selections from the 2nd Biennial 01SJ Global Festival of Art on the Edge”, MOCA
Cleveland, OH
“The New Normal”, Columbus College of Art & Design, Columbus, Ohio; Pomona College Museum of Art, Claremont, CA
“Between Grass And Sky: Rhythms of a Cowboy,” Nevada Museum of Art, Reno, NV
2008-09
“OURS: Democracy in the Age of Branding,” Parsons The New School for Design, New York
2008
“Brought to Light: Photography and the Invisible, 1840-1900,” San Francisco Museum of Modern
Art, San Francisco, CA
“01SJ Biennial: Superlight,” San Jose Museum of Art, San Jose, CA
The 5th Seoul International Media Art Biennale
“My [Public] Space”, Nederlands Institut voor Mediakunst, Montevideo/Time Based Arts, Amsterdam,
the Netherlands.
"Southern Exposure", Museum of Contemporary Art, San Diego, CA (traveled to Sydney MCA)
“The Cinema Effect: Illusion, Reality and the Moving Image; Part II: Realisms,” Hirshhorn Museum
and Sculpture Garden, Washington, DC
"Two-Fold Fraction", PKM Gallery, Beijing, China
“The Object is the Mirror (Part II),” Wilkinson Gallery, London, UK
"Three Days of Film Screenings by Contemporary Artists", Haunch of Venison, London, England
“Photography on Photography: Reflections on the Medium Since 1960”, The Metropolitan Museum of
Art, New York, NY
“Video dumbo,” Galapagos Art Space, New York, NY
"The New Normal", Artists Space, New York, NY; Huarte Centro de Arte Contemporáneo, uarte, Spain;
The Decker Gallery, Maryland Institute College of Art, Baltimore, Maryland.
“Worlds on Video – International Video Art”, Centro di Cultura Contemporanea Strozzina (CCCS),
Florence, Italy
“Tea time – Leben mit der Kunst”, Galerie Anita Beckers, Frankfurt, Germany
“Kota Ezawa/Philippe Grammaticopoulos/Yves Netzhammer – Animation in der Videokunst”, Galerie
Anita Beckers, Frankfurt, Germany
“Geopolitics of the Animation”, MARCO Museo de Arte Contemporánea de Vigo, Vigo, Spain
“Framing and Being Framed: The Uses of Documentary Photography,” Ezra and Cecile Zilkha
Gallery, Wesleyan University, Middletown, CT
“Floating Architectures and Constant Centers: Some Projections,” Martin Art Gallery, Pennsylvania.
“Recent Acquisitions”, Museum of Contemporary Art, Chicago, IL
“Into the Atomic Sunshine - Post-War Art under Japanese Peace Constitution Article 9”, Puffin Room,
NY, New York.
“Kiki: The Proof is in the Pudding,” Ratio 3, San Francisco, CA
2007-08
“Animated Painting” (travelling exhibition), San Diego Museum of Art, San Diego, CA; El Cubo
at Centro Cultural Tijuana, Baja California, Mexico; Faulconer Gallery, Grinnell College, Grinnell, Iowa
2007
“Animated Histories”, Noga Gallery of Contemporary Art, Tel Aviv, Israel
“Matthew Buckingham, Francis Cape, Kota Ezawa, Matthew Higgs”, Murray Guy, New York City, NY
“Històries animades”, CaixaForum Palma, Palma de Mallorca, Spain
“Histoires animées”, Le Fresnoy, Studio national des arts contemporains, Tourcoing, France
"Criminal: Art and Criminal Justice in America," Fine Arts Gallery, San Francisco State University,
San Francisco, CA
"A Temporal Moving Image," Haines Gallery, San Francisco, CA
"Animated Painting," San Diego Museum of Art, San Diego, CA
"On Paper," Haines Gallery, San Francisco, CA
"Geopolitics of Animation," Centro Andaluz de Arte Contemporaneo, Seville, Spain.
"On the Scene: Kota Ezawa, Sarah Hobbs, Angela Strassheim," The Art Institute of Chicago, Chicago, IL
"Image Processor," Lombard-Freid Projects, New York, NY
“Videology,” Gandy Gallery, Bratislava, Slovakia
“SECA Art Award Exhibition,” SFMoMA, San Francisco, CA
“Reality Reloaded,” 14-1 Galerie, Galerienhaus Stuttgart, Breitscheidstrabe 48, Stuttgart, Germany
2006
“Out of Time: Contemporary Art from the Collection,” The Museum of Modern Art, New York, NY
“Down by Law,” The Wrong Gallery at the Whitney Biennial, Whitney Museum of American Art,
New York, NY
“NextNew2006: Art and Technology,” Institute of Contemporary Art, San Jose, CA
“Regarding Truth: An Exhibition of Work by Artadia Award Winners,” California College of the Arts,
San Francisco, CA
“Histories Animades,” Caixa Forum, Barcelona, Spain
“Històries Animades”, Sala Rekalde, Bilbao, Spain
“Ruby Satellite,” Hyde Park Art Center, Chicago. IL
“Metro Pictures,” The Moore Space/Museum of Contemporary Art, North Miami, FL
2005
“The Last Generation,” Apex Art, New York, NY, traveling to Jousse Entreprise, Paris, France
“Bay Area Bazaar,” Pulliam Deffenbaugh Gallery, Portland, OR
“I Still Believe in Miracles,” Musée d’Art moderne de la Ville de Paris / ARC au Couvent des Cordeliers, Paris
“This side toward screen”, Murray Guy, New York City, NY
“Seeing Double: Encounters with Warhol,” The Andy Warhol Museum, Pittsburgh, PA
“Premieres,” Museum of Modern Art, NY, NY
2004
“2004 California Biennial,” Orange County Museum of Art, Newport Beach, CA
“Shanghai Bienniale 2004: Techniques of the Visible,” Shanghai Art Museumv
“temporalscape,” Haines Gallery, San Francisco, CA
“Baja to Vancouver: The West Coast and Contemporary Art,” traveling exhibition: Seattle Art Museum,
Seattle, WA; Museum of Contemporary Art San Diego, CA; Vancouver Art Gallery, Vancouver, BC,
Canada; CCA Wattis Institute for Contemporary Arts, San Francisco, CA (catalogue)
“simple.tech,” Sheppard Fine Arts Gallery, University of Nevada, Reno, NV
"Bay Area Bazaar," Pulliam Deffenbaugh Gallery, Portland, OR
2003
“Killer Kartoons”, Vox Populi, Philadelphia
“Single Channel,” Blaffer Gallery, University of Houston
2002
“Bay Area Now 3,” Yerba Buena Center for the Arts, San Francisco
2001
“Images Festival,” Toronto
“Stuttgarter Filmwinter,” Stuttgart, Germany
2000
“LA Freewaves,” Otis Gallery, Los Angeles
“International Short Film Festival Berlin,” Germany
“International Festival of New Film,” Split, Croatia
“It’s the beginning of a new friendship,” Kunstverein, Düsseldorf, Germany
1999
“Spiel des Lebens,” Hauptpost, Düsseldorf, Germany
1997
“Better,” San Francisco Arts Commission Gallery
1995
“Rhine Video,” Anthology Film Archives, New York
1993
“Düsseldorf, Cologne - A Village Gaze,” Anthology Film Archives, New York
AWARDS / FELLOWSHIPS
2011 Artist in Residence, Headlands Center for the Arts, Sausalito, CA
2010 Eureka Fellowship, Fleishhacker Foundation, San Francisco, CA
2006 SECA Art Award
2005 Artadia Jury Award
Residency Fellowship, Akadmemie Schloss Solitude, Stuttgart, Germany
Louis Comfort Tiffany Foundation Award
Film Arts Foundation Mediamaker Award, Bay Area Video Coalition
2002 Jack and Gertrude Murphy Fellowship, The San Francisco Foundation
1995 Meisterschüler, Kunstakademie Dusseldorf
SELECTED SCREENINGS & LECTURES
2011
Reading Experimental Film Festival, Reading, UK
"Mixtape," Image Movement, Berlin, Germany (solo screening)
International Short Film Festival, Oberhausen, Germany
Provincetown International Film Festival, Provincetown, RI
2010
Visiting Artist Series, University of Nevada, Las Vegas, NV
"Animated Screen," CPH PIX, Copenhagen, Denmark
2009
Visiting Artist Program, University of California Santa Cruz, Santa Cruz, CA
"TechnoIntervention and Reanimating History," Hastings College of The Law, San Francisco, CA
2008
"Kota Ezawa: The History of Photography Remix," Oakland Museum of CA, Oakland, CA
"The Art, Technology, and Culture Colloquium," UC Berkeley Center for New Media, Berkeley
"Performance Anxiety", Open Eye Gallery, Liverpool, UK
"Le Syndrome Chinois," Musée du Louvre, Paris, France (solo screening)
European Media Arts Festival, Osnabrück, Germany
"Three Days of Film Screenings by Contemporary Artists," Haunch of Venison, London, UK
2007
Aspen Museum of Art, Aspen, CO
"Pervasive Animation," Tate Britain, London, UK
Atlanta Contemporary Art Center, Atlanta, GA
2005
"Premieres," The Museum of Modern Art, New York
2003
Courtisane Festival, Gent, Belgium
2002
Impakt Festival, Utrecht, The Netherlands
2001
Film Arts Festival, San Francisco
2000
International Short Film Festival Berlin, Germany
International Festival of New Film, Split, Croatia
BIBLIOGRAPHY
2011
Smith, Tara. “Kota Ezawa – Feldbuschwiesner Galerie,” Artforum.com, October, 2011.
O’Sullivan, Michael, “How art works,” The Washington Post, September 21, 2011.
Saltiel, Natalie, “Kota Ezawa: City of Nature,” Rhizome, April 15, 2011.
Hodgson, Simon, “Enter the Outsider: CCA’s Kota Ezawa Scores with Smithsonian and New York,”
CCA News, April 4, 2011.
Hulme, Emily, “More nature for Madison Square,” amNew York, March 17, 2011.
Halle, Howard, “Landscape becomes pop artifact,” TimeOut New York, March 2011.
“Madison Square Park Conservancy’s Mad. Sq. Art Premieres Newly Commissioned Film,”Art Daily,
March, 2011.
2010
“The Tell-Tale Heart (Part 2) at the James Cohan Gallery,” Art Daily, 2010.
“Year-Long International Video Exhibition on View at the Galleries at Moore,”Art Daily, 2010.
“Noted at the Armory,” artnet, March 2010.
Helfand, Glen. “Kota Ezawa,” Artforum, January 2010.
2009
“Odessa Staircase Redux,” KQED Spark, first aired November 2009.
“The Work of Response: Material Witness,” Examiner, September 26, 2009.
2008
Pearse, Emma. “To View Kota Ezawa’s Art, You’ll Need an Allen Wrench,” New York Magazine,
March 28, 2008.
“Kota Ezawa,” The New Yorker, October 6, 2008
Lewallen, Constance and Kota Ezawa, “In Conversation: Kota Ezawa with Constance Lewallen”, The
Brooklyn Rail, September 2008, pp.40-43
“Kota Ezawa,” The New Yorker, October 6, 2008
Ezawa, Kota. “Screening Rooms – or Return to Vaudeville,” American Art, Smithsonian American Art
Museum, Summer 2008, pp.11-14.
Ellegood, Anne, “Matthew Buckingham”, The Cinema Effect: Illusion, Reality, and the Moving Image,
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, D Giles Ltd,
London 2008, pp.134-137
Tissot, Karine. "Dietmar Lutz & Kota Ezawa: Documenta", artreview, May 2008.
Meacham, Steve. "A tale of two cities", The Sydney Morning Herald, March 21-23, 2008.
"Animation Art", artkrush, Issue 78, February 20, 2008.
"The New Normal", ARTCAL, April 15, 2008.
2007
“Kota Ezawa on the Evolution of His Drawings,” SFMOMA (website), January 2007
Hertz, Betti-Sue. “Kota Ezawa”, Animated Painting, San Diego Museum of Art, San Diego, CA, 2007
Olson, Christopher, “Kota Ezawa”, Border Crossings, Issue 103, August 2007, pp. 138-140
Ezawa, Kota, “The History of History at Charles H. Scott Gallery. Emily Carr Institute of Art and Design, Vancouver, BC, Canada”, Art on Paper, July/August, 2007, p. 74
"Nam June Paik, Alan Rath, Kota Ezawa," Flavorpill, Issue #286.
Vogelz, Traci. "Art Footage," SFWeekly, October 17 - 23, 2007.
"The Exhibitionists," The New York Times Magazine, Fall 2007.
"Meviews," art on paper, July/August, Vol.11, No. 6, 2007.
Egan, Danielle. "Drawing from History," The Globe and Mail, Friday, April 13, 2007.
Laurence, Robin. "Visual DJ Ezawa puts spin on photo culture," The Georgia Straight, March 29 -
April 5, 2007.
Frank, Peter. “Ruby Satellite at the UCR/California Museum of Photography, Riverside,” art on paper, March/April 2007.
Janku, Laura Richard. “2006 SECA Awards,” art ltd., March 2007.
Baker, Kenneth. “SECA Award winners,” San Francisco Chronicle, January 27, 2007.
“SFMoMA 2006 SECA Art Awards Exhibitions,” Art Daily, January 27, 2007.
Chun, Kimberly. “The Video Guy,” San Francisco Bay Guardian, January 24 – 30, 2007
“2006 SECA Art Award...” SFMoMA Program Guide, March 2007.
2006
Bang Larsen, Lars and Chus Martinez, “For the Love of Photography”, The History of Photography Remix,
Nazraeli Press, Portland, 2006.
Gonzalez Valdez, Michelle, “Kota Ezawa”, NYArts, November-December, 2006.
Voorhies, James. “Regarding Truth” in Artadia San Francisco Bay Area 2005 exhibition catalogue,
Artadia: the Fund for Art and Dialogue, San Francisco, pp. 5-6.
Waxman, Lori. “Kota Ezawa Lennon Sontag Beuys”, para-para, issue 021 pp. 2-3.
O’Brien, Pat. “ Thought-provoking works debut at UCR museum,” The Press-Enterprise Saturday,
October, 28, 2006.
Baker, Kenneth. “ Emblems of an Era as Seen From a Fresh Medium,” San Francisco Chronicle,
January 21, 2006.
Keats, Jonathan. “Kota Ezawa at Haines Gallery,” Art in America, May 2006.
Mobley, Chuck. “From A to Z and Back Again,” Contemporary Magazine, Issue 82, pgs 36 - 37.
Smith, Roberta. "Power, Injustice, Death. Loss: At Sea in the Here and Now," The New York Times,
September 1, 2006.
“Last Chance,” San Francisco Chronicle, 96 Hours Section, February 9, 2006.
Bing, Alison. “Kota Ezawa at Haines Gallery,” Artweek, March 2006, Volume 37, Issue 2
Broker, David. Photofile, #74: Don’t Flip the Switch, Spring 2005.
2005
Vine, Richard. “Shanghai Accelerates”, Art in America, pp.104-111
Chattopadhyay, Collette. “2004 California Biennial at OCMA,” Artweek, December 2004/January 2005,
Volume 35, Issue 10.
Genocchio, Benjamin. “Life, One Frame at a Time,” The New York Times, December 25, 2005.
Goldsmith, Meredith. “Reviews: West Coast – San Francisco,” Art Papers, January/February 2005.
Goldstein, Leigh. “One to Watch: Kota Ezawa,” Artkrush.com, Issue #3, April 2005.
Higgs, Matthew. “Kota Ezawa,” Artforum, February 2005, 162-163.
“The Last Generation,” The New Yorker, December 2005
Ratner, Megan. “Kota Ezawa,” Frieze Magazine, Issue 95, November - December 2005
Kota Ezawa & John Smith in conversation. “From Fame to Form and Pop to Hop,” Camerawork, Volume 32,
No. 2, Fall/Winter 2005
Stillman, Nick. “Kota Ezawa,” Time Out New York, Issue 524, Oct. 13-20, 2005.
Schwendener, Martha. “Critic’s Pick: Kota Ezawa – Murray Guy” Artforum.com, 2005.
Zellen, Jody. “Reviews: West Coast – Santa Monica,” Art Papers, July / August 2005
2004
Bing, Alison. “Artist at work: Kota Ezawa,” Art Contemporaries, Fall 2004, pp.4-5.
Coupland, Ken. “Distant Recall,” RES (November/December).
Bing, Alison. “Kota Ezawa and Michele O’Mara: ‘Version’: A Room for Debate,”San Francisco Chronicle,
October 7, 2004.
Feldman, Melissa. “Kota Ezawa at Haines,” Art in America, April, 2004, p. 141.
Knight, Christopher. “Coastal confluence: Geography links the art in ‘Baja to
Vancouver,’ but it’s the social
landscape that resonates,” Los Angeles Times, February 1, 2004, pp. E41, E48.
Failing, Patricia. “’Baja to Vancouver: The West Coast and Contemporary Art,’ Seattle Art Museum,”
Reviews, ARTnews, February, 2004, pp. 117-118.
2003
“Kota Ezawa,” Louis Comfort Tiffany Foundation 2003 Awards Catalogue, pp.24-25.
Baker, Kenneth. “Who’s Afraid of Computer Animation – Or Modern Art by One of Italy’s Greats,”
San Francisco Chronicle, November 22, 2003.
Hackett, Regina. “A treck through West Coast art: ‘Baja to Vancouver’ at SAM explores the distinctive
cultural terrain of the Pacific corridor,” Seattle Post-Intelligencer, October 9, 2003, section E
Farr, Sheila. “SAM’s ‘Baja to Vancouver’ showcases impact of mass culture on West Coast art,” The
Seattle Times, October 9, 2003
Bonetti, David. Contemporary Magazine, Issue No. 49, p. 25
2002
Tromble, Merideth. “Bay Area Now 3,” Stretcher.org, November
Lee, Margaret. “The Now School: Five Artists from Bay Area Now 3,” Kitchen Sink, Fall
Macpherson, Mary. “Revisiting OJ From a Distance,” North Beach Journal, November
Helfand, Glen. “Now, or later,” SF Bay Guardian, September 11
Baker, Kenneth. “Ezawa animates OJ Verdict,” San Francisco Chronicle, October 25
PUBLICATIONS / BOOKS
2010
Odessa Staircase Redux, JRP Ringier/ECU Press, 170 pages.
Upstairs Downstairs (Exhibition Catalog), University of Idaho, essays by Kevin Killian and Roger
Rowley, 32 pages.
2007
The History of Photography Remix, Nazraeli Press, essay by Lars Bang Larsen and Chus Martinez, 60 pages.
PUBLIC COLLECTIONS
Albright Knox Museum, Buffalo, NY
Art Institute of Chicago, Chicago, IL
Berkeley Art Museum & Pacific Film Archive, University of California, Berkeley, CA
Collection Neuflize Vie, Paris, France
Hirshhorn Museum and Sculpture Garden, Washington, DC
The Israel Museum, Jerusalem, Israel
J. Paul Getty Museum, Los Angleles, CA
Kunstmuseum Stuttgart, Germany
Margulies Collection at the WAREhouse, Miami, FL
Metropolitan Museum of Art, New York, NY
Microsoft Art Collection, Redmond, WA
Minneapolis Institute of Arts, MN
Museum of Contemporary Art, Chicago, IL
Museum of Contemporary Art, San Diego, La Jolla, CA
Museum of Modern Art, New York NY
Netherlands Media Arts Institute, Amsterdam, The Netherlands
Oakland Museum of California, CA
Orange County Museum of Art, Newport Beach, CA
Queensland Art Gallery, Queensland, Australia
Richard L. Nelson Gallery & Fine Arts Collection, University of California, Davis, CA
RISD Museum, Providence, RI
San Diego Museum of Art, San Diego, CA
San Francisco Museum of Modern Art, San Francisco, CA
Smithsonian American Art Museum, Washington, DC
Ulrich Museum of Art, Wichita State University, Wichita, KS
University of Texas, Austin, TX
Wadsworth Atheneum, Hartford, CT
