Andy Goldsworthy | Haines Gallery

Interview of Andy Goldsworthy installing "Drawn Stone" at the de Young Museum on SPARK, KQED click here

BORN    1956 England
EDUCATION    B.A. Preston Polytechnic, Lancaster Annex
                           Honorary BA Degree from Bradford University, England, 1994

SOLO EXHIBITIONS
2011
“Andy Goldsworthy: Snow,” deCordova Sculpture Park and Museum, Lincoln, MA

2010
“Incidental Objects,” Haines Gallery, San Francisco, CA
“New York Dirt Water Light,” Galerie Lelong, New York , NY

2008
“Snow, Ice and Earth,” Springer & Winckler Galerie, Berlin, Germany
“North Uist Works,” Taigh Chearsabhagh Museum & Arts Centre, Western Isles, Scotland

2007
"Two Creeks - Ephemeral Works in the Roaring Fork Valley," Resnick Gallery, Doerr-Hosier Center,
    Aspen Institute, Aspen, CO
“White Walls,” Galerie LeLong, New York, NY
“Stone River,” Aspen Institute, Aspen, Colorado
“Andy Goldsworthy,” The Palacio De Cristal, Museo Nacional Reina Sofia, Madrid, Spain
“Andy Goldsworthy,” Yorkshire Sculpture Park, West Bretton, Wakefield, England

2006
“Refuges,” Galerie Lelong, Paris, France
“Arches,” Frederick Meijer Sculpture Garden, Grand Rapids, MI

2005
“Stone Light Drawings,” Haines Gallery, San Francisco, CA
“Andy Goldsworthy,” Michael Hue-Williams Fine Art, London, England
“Roof,” National Gallery of Art, Washington D.C. (permanent installation)
“New at the Neuberger: Recent Acquisitions,” Neuberger Museum of Art, Purchase, NY

2004
“Stone Houses,” The Metropolitan Museum of Art, New York, NY
“Topographics: Photographs from 1844 to the Present,” Bruce Silverstein Gallery, New York, NY

2003
“Passage,” Galerie Lelong, New York, NY
“Garden of Stones,” The Museum of Jewish Heritage, New York, NY
"Three Cairns," Neuberger Museum of Art, Purchase, New York
“Three Cairns,” Museum of Contemporary Art, San Diego, California

2002-2005
“Mountain and Coast, Autumn Into Winter: Japan 1987,” touring exhibition: Frist Center for the
Visual Arts, Nashville, TN; Prichard Art Gallery, University of Idaho, Moscow, ID; University of Michigan     Museum of Art, Ann Arbor, MI; Palm Springs Desert Museum, Palm Springs, CA; Tacoma Art Museum,     Tacoma, WA; Edwin A Ulrich Museum of Art, Wichita State University, Wichita, KS; Austin Museum of     Art, Austin, TX; Utah Museum of Fine Arts, Salt Lake City, UT

2002
“Three Cairns,” Des Moines Art Center, IA
Galerie Lelong, Paris, France
“Work from Scotland for California,” Haines Gallery, San Francisco, California
“Andy Goldsworthy,” Michael Hue-Williams Fine Art, London, England

2001
“Silent Spring,” Galerie Lelong, Paris, France
“Zeit,”Springer & Winckler Galerie, Berlin, Germany
Abbot Hall Art Gallery and Museum, Cumbria, Scotland
“De memoire d’arbres,” Maison Europeanne de la Photographie, Paris, France

2000
“River,” Haines Gallery, San Francisco, California
“Time,” Michael Hue-Williams Fine Art, London, England
"Snowballs in Summer,” Barbican Center, London, England
“Time,” Barbican Center, London, England
"A Line and a Wall,” Galerie Lelong, New York, NY
“Andy Goldsworthy,” Storm King Art Center, Mountainville, NY
“Andy Goldsworthy,” SITE Santa Fe, Santa Fe, New Mexico

1999-2000
“New Photographic Work,” Michael Hue-Williams Fine Art, London, England

1999
“La Danse du temps,” La Coursive Scene Nationale La Rochelle, France
Plymouth Arts Center, Plymouth, England
“Snowballs in Summer,” Barbican Art Center, London, England

1998
Ingleby Gallery, Edinburgh, Scotland, UK
“Installation und Photographie,” Springer & Winckler Galerie, Berlin, Germany
Scottish National Museum of Modern Art, Edinburgh, Scotland, UK
"Selected Recent Photographs,” Haines Gallery, San Francisco, California
Galerie LeLong, Paris
"Arches,” Musee d'Art Contemporain de Montreal, Quebec, Canada
“Sheepfold Drawings,” Egremeont, West Cumbria

1997
“Sheepfolds,” Penrith Museum, Cumbria, England
“Le Cairn de Digne,” Musée Departemental de Digne, France
“A Wall That Went for a Walk,” Storm King Art Center, Mountainville, New York (permanent
    outdoor site-specific sculpture)
“Northern Exposure,” Harris Gallery, Preston, Lancashire
“Northern Lights,” The Mercer Art Gallery, Harrogate

1996
"Wood," Galerie Lelong, New York, New York
"Wood,” Haines Gallery, San Francisco, California
"The Alaska Works," Anchorage Museum of Art, Anchorage, Alaska
"Sheepfolds,” Tulliehouse, Carlisle and Margaret Harvey Gallery, St Albans

1995
"Breath of Earth," San Jose Museum of Art, San Jose, California
"Four Stones," Galerij S65, Aalst, Belgium
"Black Stones, Red Pools," Galerie Lelong, New York, New York
"Earth Memory," Musee de Digne, Haute Provence, France
"For the Night," Green on Red Gallery, Dublin, Ireland
“Four Stones,” Galerij S65, Aalst, Belgium
"Stone Work in America," Aspen Art Museum, Aspen; traveled to Southern Oregon State College,
    Ashland, Oregon

1994
"Two Autumns," Setagaya Art Museum Tokyo, Japan
"Stone," Galerie Aline Vidal, Paris, France
"Stone," Three Installations organized by Hue-Williams Fine Art, London, England
"Stone," Haines Gallery, San Francisco, California
"Laumeier Stone," Laumier Sculpture Park, St. Louis, Missouri
"Stone," Oriel Gallery, Cardiff, Wales
"Stone Work in America," traveling exhibition organized by Cheryl Haines,
    Haines Gallery, San Francisco and Mary Sabbatino, Galerie Lelong, New York. Traveled to
    Scottsdale Center for the Art, Scottsdale, Arizona; Western Gallery, Western Washington
    University, Bellingham, Washington; Aspen Art Museum, Aspen, Colorado; and Southern
    Oregon State College, Ashland, Oregon

1993
"Mid-Winter Muster," Howard House, Yorkshire, England
"Wood Land: Recent Work made in New York, Illinois, Pennsylvania, Dumfriesshire," Galerie LeLong,
     New York, New York
"Two Autumns," Tochigi Prefectural Museum of Fine Arts, Tochigi-ke, Japan
Morecambe Bay Works, Scott Gallery and Storey Institute, Lancaster

1992
"Mid Winter Muster," Adelaide Festival, Australia
"Lowther Snowballs," Galerie S65, Aalst, Belgium
"Stone Sky," Galerie St. Anne, Brussels, Belgium
"California Project," Haines Gallery, San Francisco, California
"Hard Earth," Turske Hue-Williams Gallery, London, England
"Andy Goldsworthy," Installation in the tower of Centre d'Art Contemporain de Vassivière en Limousin, France "Flow of Earth," Exhibition and Granada T.V. Film, England
"Snow and Ice Drawings and Throws," Fruitmarket Gallery, Edinburgh, Scotland and Galerie Aline
     Vidal, Paris, France

1991
"Sand Leaves," Chicago Art Club, Chicago, Illinois
"Attitudes to Nature," Ile De Vassiviere, France

1990-91
"Hand to Earth: Andy Goldsworthy Sculpture 1976-1990, Retrospective exhibition. Traveled to: Leeds City Art     Gallery, Leeds; Royal Botanic Garden, Edinburgh; Stedelijke Musea, Gouda, Holland; Centre D'Art     Contemporain, Toulouse, France

1990
"Drawings," Galerie Aline Vidal, Paris, France
"Garden Mountain," Galerie Aline Vidal, Paris, France
"Photography as Sculpture," Fotogallery, Cardiff, Wales; Dumcroon, Wigan Education Art Centre
“Drumcroon,” Wigan, Lancashire, England

1989
"Leaves," The Natural History Museum, London, England
"Andy Goldsworthy," The Rozelle Galleries, Ayr, England
"Snow Balls in Summer," Old Museum of Transport, Glasgow, Scotland
"Black in Black," Fabian Carlsson Gallery, London, England
"Touching North," Anne Berthoud Gallery, London and Graeme Murray Gallery, Edinburgh, Scotland

1988
Gallery Takagi, Nagoya, Japan
Yurakucho Asahi Gallery, Tokyo and Osaka, Japan
"Mountain and Coast Autumn into Winter Japan 1987," Fabian Carlsson Gallery, London, England
Ruskin Gallery, Sheffield, England

1987
Fabian Carlsson Gallery, London, England
"Winter Harvest," Book exhibition with John Fowles, Scottish Arts Council
Prescote Art and Design, Edinburgh, Scotland

1986
"The Barn," Lincoln, England

1985
"Evidence," Coracle Press Gallery, London, England
"Rain sun snow hail mist calm," The Henry Moore Centre for the Study of Sculpture, Leeds City Art
    Gallery and Northern Centre for Contemporary Art, Sunderland, England Abbot Hall, Kendall, Cumbria,     England

1983
"Photographs of Outdoor Work," Altrincham Library, Cheshire, England

1982
LYC Museum and Art Gallery, Banks, Cumbria, England

1981
"Serpentine Summer Shows, 1", Serpentine Gallery, London, England

1980
LYC Museum and Art Gallery, Banks, Cumbria, England

GROUP EXHIBITIONS
2011
"How to Philosophize With a Hammer", White Box, Mountainville, NY

2010
“5+5: New Perspectives,” Storm King Art Center, Mountainville, New York

2009
“Pop to Present,” Cantor Arts Center, Stanford University, Palo Alto, CA
“LandMark”, Haines Gallery, San Francisco, CA

2008
“Six Masterpieces,” Springer & Winckler Gallery, Berlin, Germany
"Material Terrain", Haines Gallery, San Francisco, CA
"A Year in Drawing", Galerie Lelong, New York, NY

2007
"On Paper," Haines Gallery, San Francisco, CA
“Landscape & Memory II,” Haines Gallery, San Francisco, CA
"Contemporary, Cool and Collected", Mint Museum of Art, Charlotte, NC
"Jano - La doble cara de la fotografía", Museo Nacional Centro de Arte Reina Sofía MNCARS, Madrid
"OUT OF THE CITY. Land art" City Gallery of Bratislava / Galéria mesta Bratislavy, Bratislava
"De leur temps(2) Art Contemporain Et Collections Privées", Musee de Grenoble, Grenoble
"Shadow", Galerie Lelong - New York, New York City, NY
"Art is an Idea - The Moquay Collection", Scottsdale Museum of Contemporary Art - SMoCA, Scottsdale, AZ

2006
"Out of Line: Drawings from the Collection of Sherry and Joel Mallin", Herbert F. Johnson Museum of Art,
     Ithaca, NY
"Peintres de la vie moderne Modern-life painters - Donation - Caisse des Dépôts' photograph collection", Centre
     Pompidou - Musée National d´Art Moderne, Paris, France
"The Genius of the Place - Land and Identity in Contemporary Art", Art Museum of Western Virginia,
    Roanoke, WV
"Tom Bendhem – Collector", Cheltenham Art Gallery and Museum, Cheltenham Spa, Gloucestershire, England "Shifting Terrain. Contemporary Landscape Photography", The Wadsworth Atheneum Museum of Art,
    Hartford, CT
"Human/Nature: Landscape photography from the GoMA collection", GoMA - Gallery of Modern Art,
    Glasgow, Scotland

2005
“Points of View: Landscape and Photography,” Galerie Lelong, New York, NY
"The Transformative Power of Art", Art Gallery of Ontario, Toronto, ON
"Topographics: Photographs from 1844 to the Present," Bruce Silverstein Gallery, New York
"The Art of White," The Lowry, Salford, United Kingdom
"New at the Neuberger: Recent Acquisitions," Neuberger Museum of Art, Purchase, New York

2004
“temporalscape,” Haines Gallery, San Francisco, CA
"The White Station", Pump House Gallery, London (England)
"Sommerausstellung", Springer & Winckler Galerie, Berlin

2003
“Works on Paper,” Haines Gallery, San Francisco, CA
“Hot Summer in the City,” Sean Kelly Gallery, New York, NY

2002
“Fifteen – 15th Anniversary Exhibition,” Haines Gallery, San Francisco, CA
"After the Beginning and Before the End - Instruction Drawings", MIT List Visual Arts Center, Cambridge, MA

2000
“The Bigger Picture,” Art Gallery of Ontario, Toronto.
"Drawings & Photographs", Matthew Marks Gallery, Los Angeles, California
"SCULPTography,” Galerie Lelong, New York, New York
"Ephemeres", Maison Européene de la Photographie, Paris
"La collection photographique", les Abattoirs de Toulouse, Toulouse
"Ernesto Neto - Andy Goldsworthy", Site Santa Fe, Santa Fe, NM

1999
“Drip, Blow, Burn: Forces of Nature in Contemporary Art,” The Hudson River Museum, Yonkers, New York
Views from the Edge of the World, Marlborough Chelsea, New York, NY
“Collecting Ideas: Works from the Polly and Mark Addison Collection,” Denver Art Museum, CO
“A Puzzling Strategy: Different Views of Landscape Photography,” James Kelly Contemporary, Santa Fe, NM
"Linhas de Sombra", Centro de Arte Moderna José de Azeredo Perdigão - Fundação Calouste Gulbenkian,
    Lisbon

1998
"Landscapes,” Meyerson & Nowinski Gallery, Seattle, Washington
"Landscape & Memory,” Haines Gallery, San Francisco, California
“Internality Externality: James Casebere, Andy Goldsworthy, Gordon Matta-Clark, Anna Mossman, Vic Muniz,     Bernard Voita,” Galerie Lelong, New York
"The Hess Collection - New Works", Casino Luxembourg - Forum d'art contemporain, Luxembourg
"Etre nature", Fondation Cartier pour l'art contemporain, Paris

1997
“After Eden, Garden Varieties in Contemporary Art,” Middlebury College Museum of Art, Middlebury,     Vermont
“Être Nature,” Fondation Cartier pour l’Art Contemporain, Paris, France
“Jardin d’Artiste: de mémoire d’arbre,” Musée Zadkine, Paris
Northern Exposure, Harris Gallery, Preston, Lancashire, England
Northern Lights, The Mercer Art Gallery, Harrogate, England
“Land Marks,” John Weber Gallery, New York City
“Stone: Fractures and Fragments,” Hue-Williams Fine Art, Ltd., London
"A Ilha Do Tesouro/Treasure Island", Centro de Arte Moderna José de Azeredo Perdigão - Fundação Calouste
    Gulbenkian, Lisbon

1996
"Clay floor installation", Glasgow Museum of Modern Art, Scotland
"Printemps de Cahors", Cahors, France
"Northern Rock Art", DLI Museum & Durham Art Gallery, England
“Promenons-nous Dans Les Bois,” Galerie Aline Vidal, Paris, France

1995
"From Nature," Haines Gallery, San Francisco, California
"Landscape: A Concept," Steven Oliver Art Center, California Center of Arts and Crafts, Oakland, California
“A Clearing of Arches, For the Night,” Hathill Sculpture Foundation, Goodwood, Sussex
"Time Machine,” Museo Egizio, Turin, Italy
"46th International Art Exhibition Venice Biennale / Biennale di Venezia", La Biennale di Venezia, Venice

1994
"In Site '94: A Bi-National Exhibition of Installation and Site Specific Art," San Diego; Tijuana
"Different Natures, Visions de l'Art Contemporani," Palau de laVirreina, Barcelona, Spain
"Inspired by Nature," Neuberger Museum, Purchase, New York
"Time Machine: Ancient Egypt and Contemporary Art," British Museum, London, England

1993
"Impermanence: Andy Goldsworthy and Merril Wagner," The Aldrich Museum of Contemporary Art,
    Ridgefield, Connecticut
"Parc de la Courneuve," Paris, France
“Andy Goldsworthy, Alfredo Jaar, Richard Long, Ana Mendieta, Elizabeth Newman, Ursula von Rydingsvard,”     Galerie Lelong, New York
"Morecambe Bay Works," Scott Gallery and Storey Institute, Lancaster, England
Tikon Project, Denmark
Kusntlerwerkstatt Lothringstrasse, Munich, Germany
"About Nature," Cleveland Center for Contemporary Art, Cleveland, Ohio
"Trees," Kunstlerwerkstaat Lothringstrasse, Munich, Germany

1992
"Breakdown," Rose Art Museum, Brandeis University, Waltham, Massachusetts
"Changes," Museum Bellerive, Zurich, Switzerland

1991
"With Nature," Galerie Lelong, New York, New York
"Shared Earth," Russian/British Art (traveling exhibition)
“British Art Now: A Subjective View," Asahi Shimbun in connection with the Setagaya Museum,
Tokyo and the British Council, London, England (traveling exhibition)

1990-91
"Leaves," Atelier des Enfants, Centre Georges Pompidou, Paris, France

1990
"Glasgow's Great British Art Exhibition," McLellan Gallery, Scotland

1989
"Landscape Now," City Museum and Art Gallery, Stoke-on-Trent, England
"British Sculpture 1960-1988," Museum van Hedendaagse, Kunst Antwerp, The Netherlands
"Language of Landscape Part I," Anderson O'Day Gallery, London, England
"Thomas Joshua Cooper, Andy Goldsworthy, David Nash," LA Louver Gallery, Venice, California
"Natural Art," Dundee Art Galleries and Museums, England
"Out of the Wood: The Tree as Image and Symbol," Craft Council/Common Ground, London, England     (traveling exhibition)
"Photo-Sculpture," Watershed Media Gallery, Bristol, England, (traveling exhibition)
"Singular Vision: Recent Landscapes by Five Artists," Mead Gallery University of Warwick, England
    (traveling exhibition)
"Through the Looking Glass: Photographic Art in Britain 1945-1989," Barbican Art Gallery, London, England
"Britannica, Trente Ans de Sculpture," Musee de Beaux-Arts Andre Malraux Le Havre, France
     (traveling exhibition)

1988
"Artists in National Parks," The Victoria and Albert Museum, London, England
"With an Eye to the East," Scottish Arts Council (traveling exhibition)
"Touching on Nature," Doorstep Gallery, Arts in Fife, England
"Distance + Thunder: Recent work by Andy Goldsworthy and Vincent Woropay," Bluecoat Gallery, Liverpool,     England
"Food," Odette Gilbert Gallery, London, England
"Camoflage," Scottish Arts Council (traveling exhibition)Venice Biennale, Apperto, Italy
"The Possibilities of Space: Fifty Years of British Sculptor's Drawings," Musee des Beaux-Arts de Besançon,     France

1987
Quay Arts Center, Newport, Isle of Wight, England
"Perspectives: Glasgow - A New Look," Collins Gallery, University of Strathclyde, Glasgow, Scotland     (traveling exhibition)
"Landscape and Sculpture," Axiom Center for the Arts, Cheltenham, England
"The Unpainted Landscape," Scottish Arts Council (traveling exhibition)
"Revelations for the Hands," Leeds City Art Gallery (residency)
Yorkshire Sculpture Park (residency)

1986
Galerie Löhrl, Möchengladbach, Germany
St. Louis Arts Festival, St. Louis, Missouri (residency)
"Between Trains," (Holbeck Triangle Trust), St. Paul's Gallery, Leeds, England

1985-1986
Hampstead Heath, Common Ground and Artangle Trust, England (residency)

1985
"City Thoughts," organized by Frank Gribbling, Amsterdam, Netherlands
"Looking at Landscape," Drumcroon, Wiggin Education Art Center, Wiggin, Lancaster, England

1984
"Haarlemmerhout Symposium," Frans Hals Museum, Haarlem, Holland
"Preston X," Harris Art Gallery and Museum, Preston, Lancashire, England
"Discovery of the Lake District," Victoria and Albert Museum, London, England
"Second Nature," Newlyn Orion, Penzance, Cornwall, England
"Essentials," Kent County Council, England (traveling exhibition)
"A Sense of Place," Geolfrith Gallery, Sunderland Arts Center, England (traveling)
"Salon D'Automne," Serpentine Gallery, London, England

1983
"Place," Gimpel Fils Summer Show, London, England
"Sculpture in the Open Air," Yorkshire Sculpture Park, England
"Art and the Land," Rochdale Art Gallery, Lancashire, England

1982
"British Drawings," Hayward Gallery, London, England
"Presence of Nature," Carlisle Museum of Art Gallery, Cumbria, England (traveling)
"Sculpture for a Garden," Tatton Park, Chetshire, England

1981
St. Paul's Gallery, Leeds, England (with John Aiken)
"New Sculpture," Midland Group Gallery, Nottingham, England
Royal Northern College of Music, Manchester, England

1980
"Nature as Material," Arts Council of Great Britain (traveling exhibition)

SELECTED BIBLIOGRAPHY
2011
Beckman, Cindy, “Andy Goldsworthy winds his way through the Presidio,” Marina Times, September 2011.
Hattam, Jennifer, “Artist Andy Goldsworthy’s ‘Wood Line’ Follows Rich History of San Francisco’s
    Presidio Forest,” Tree Hugger, August 27, 2011.
Burack, Ari, “Goldsworthy Art Installation Draws Residents to San Francisco Presidio,” SF Examiner,
     August 24, 2011.
"DeCordova Sculpture Park and Museum Presents Exhibition Andy Goldsworthy: Snow," Artdaily,
    June 26, 2011.
Shea, Andrea, “Let It Snow: Andy Goldsworthy at The deCordova,” wbur.org, May 29, 2011
Smee, Sebastian, “Goldsworthy idea takes shape,” The Boston Globe, May 22, 2011.
“Andy Goldsworthy’s Alderney Stones put into position,” BBC News, April 14, 2011.
Edgers, Geoff, “Striking Goldsworthy,” The Boston Globe, March 11, 2011.

2010
“Celebrate the Holidays with the Current Top Shows in the Western US,” The Huffington Post,
    December 22, 2010.
Barber, Jeremiah, “Andy Goldsworthy: Incidental Objects,” KQED, December 3, 2010.
“At Home: Natural Leader,” New Zealand Herald, June 29, 2010.
Wade, Mike, “Andy Goldsworthy: a landscape artist in the city,” Times Online, May 1, 2010.
“Andy Goldsworthy’s stone sculptures in Bailiwick,” BBC, April 8, 2010
King, John, “Presidio may get new art, maybe B&B,” San Francisco Chronicle, February 16, 2010
Johns, Fran, “Goldsworthy sculpture sends spirits soaring,” True/Slant, February 16, 2010.

2009
Varley, James, “A Boulder Approach,” The Guernsey Press, September 25, 2009.
Baker, Kenneth, “Goldsworthy work at Hess,” San Francisco Chronicle, August 31, 2009.
Jeffrey, Moira, “Jupiter Artland: Land of the giants,” Scotland on Sunday, May 17, 2009.
Wilkinson, Kelly, “A Newly Enchanted Forest,” KQED Arts, May 25, 2009.
Haworth, Jenny, “The Green Crusaders,” The Scotsman, April 20, 2009.
Mok, Kimberly D., “Top 5 Environmental Artists Shaking Up the Art World,” Treehugger, February18, 2009
Finkel, Jori, “Work Stands Out Before It Blends In,” The New York Times, February 5, 2009
Laurence, Elisabeth, “Artist Goldsworthy’s ‘Spire’ graces Presidio,” The Examiner, January 29, 2009
Brown, Jeffrey, “Conversation: Andy Goldsworthy,” The Online NewsHour with Jim Lehrer, January 7, 2009
Finnegan, Molly, “Andy Goldsworthy’s ‘Spire’,” The Online NewsHour with Jim Lehrer, January 7, 2009
Krieger, Lisa. “Goldsworthy’s ‘Spire’ Celebrates Presidio Reforestation,” The Mercury News, January 7, 2009

2008
Finkelstein, Alix. “Crossing the Line: ‘A Year in Drawing’,” New York The Sun, July 31, 2008.

2007
Ulin, David L., "'Enclosure' by Andy Goldsworthy," Los Angeles Times, December 9, 2007.
"Stone River," Including interview by Jamie Miller, The Aspen Idea, Winter 2007/2008.
Lowenstein, Oliver. "YSP @ 30: the 30-Year Journey of YSP and Andy Goldsworthy," Sculpture Magazine,     October 2007.
Bryant, Eric. "Andy Goldsworthy: Galerie Lelong," ARTnews, September 2007.
"Andy Goldsworthy: Yorkshire Sculpture Park," Sculpture Magazine, July/August 2007.
Judge, Elizabeth. "Building on the Past, and into the Future," The Aspen Idea, Summer 2007.
Goodbody, Bridget. "Art in Review; Andy Goldsworthy," The New York Times, May 18, 2007.
“Andy Goldsworthy Retrospective,” The Sunday Times, April 8, 2007.
Packer, William. “Rich rewards of a natural curiosity,” Financial Times, April 1, 2007.
"Anniversary Display for Sculpture Park," Yorkshire Evening Post, March 31, 2007.
Ahad, Nick. " Andy Goldsworthy," Yorkshire Evening Post, March 30, 2007.
Pitman, Joanna. “Andy Goldsworthy at YSP,” Sunday Times, March 26, 2007.
Adams, Tim. “Natural Talent,” The Observer, March 11, 2007.

2006
Cash, Stephanie. “Report from San Francisco: New and Now,” Art in America, January 2006.
Keats, Jonathon. " Above and Beyond," San Francisco Magazine, August 2006.
Burton, Lynn. " Andy Goldsworthy wall takes shape at Aspen Institute," Aspen Daily News,
     September 18, 2006.

2005
“35 Who Made a Difference: Andy Goldsworthy,” Smithsonian Magazine, November 2005.
“The Seasons: Winter,” The New York Times, December 21, 2005.
“Goldsworthy Standard,” Where Magazine, November 2005.
Baker, Kenneth. “Fissures unite stones from commentary on earthquake country,” San Francisco Chronicle,     October 29, 2005.
Burgard, Timothy. “Drawn Stone: A Fine Line,” Fine Arts Magazine, Fine Arts Museums of San Francisco Bing, Alison. “Andrew Goldsworthy: Stone Light Drawings,” San Francisco Chronicle, October, 2005.
Keats, Jonathon. “The Crack-up Artist,” San Francisco Magazine, October, 2005.
Escobar, Juan Guillermo. “Landulation,” Loft Magazine, June 2005.
”The Seasons,” The New York Times Magazine, June 21, 2005.
Hamlin, Jesse. “Follow the fissure to the new de Young - Andy Goldsworthy will lead the way,” San Francisco     Chronicle, April 28, 2005.

2004
Craig, David. “THE COLD CHRONICLES; Dazzling, then they disappear; Artist Andy Goldsworthy uses     numb hands, warm breath and natural materials to shape ice into temporary creations.” Los Angeles Times,     December 21, 2004.
Trescott, Jacqueline. “Sculptor Shapes the Symbols of a City,” Washington Post, December 10, 2004, p. CO1. Guthmann, Edward. Drawing upon nature for his art,” San Francisco Chronicle, September 28, 2004.
Baker, Kenneth. “Goldsworthy, Richter works to mark opening,” San Francisco Chronicle, June 11, 2004,          pp. E1, E13.
Baker, Kenneth. “Putting it Together,” Town & Country, March 2004, pp.21 - 25.
Solomon, Deborah. "Stone Diarist,” The New York Times Magazine, May 16, 2004, pp.64 - 76.

2003
Schama, Simon. “The Stone Gardener: A land artist comes to lower Manhattan,” The New Yorker,
    September 22, pp. 126-132.
Kaufman, Jason Edward. “Stones Full of Life and Memory: A Holocaust Memorial Garden That’s Built to Be a    Survivor,” The New York Times, Art/Architecture, September 14.
Lowenstein, Oliver. “Andy Goldsworthy: “Downloading a path by the light of a silver moon,” Fourth Door    Review, Number 6: The Lanternsure Issue, pp. 82-95.
Metrick, Lenore. “Disjuncitons in Nature and Culture: Andy Goldsworthy,” Sculpture, June, Vol. 22, No. 5,         pp. 28-33.
Lowenstein, Oliver. “Natural Time and Human Experience: Andy Goldsworthy’s Dialogue with Modernity,”     Sculpture, June, Vol. 22, No. 5, pp. 34-39.
Vargas, Lance. “Goldsworthy’s ‘Three Cairns’ marks many journeys,” La Jolla Light, Thursday, May 1, p. 24. Hattam, Jennifer. “Restoration Art: Focusing on nature’s power to reclaim,” Sierra, May/June, pp. 42-45. Ollman, Leah. “Stone washed, wave tossed,” Los Angeles Times, May 5, pp. E1, E5.
Pincus, Robert. “Artist’s nature,” (film and art review), The San Diego Union Tribune, pp. E1.
Rosen, Steven. “’Rivers’: a flood of interest,” Los Angeles Times, March 10.
Levine, Karen. “Andy Goldsworthy,” tema celeste, January/February, p. 93.

2002
Baker, Kenneth. “Goldsworthy’s add up,” San Francisco Chronicle, Datebook, November 9, p. D10.
Helfand, Glen. “Natural Art Goes Digital: Talking about and with Artist Andy Goldsworthy on taking it to the     Web,” San Francisco Chronicle, October 31.
Baker, Kenneth. “E-mailed images a natural for Goldsworthy,” San Francisco Chronicle, Tuesday, October 29,     p. E6.
Wilson Lloyd, Ann. “A Sculpture of Sea and Prairie, of Water, Fire and Stone,” The New Yorker, Sunday,          July 21, pp. 25, 27.
Moncrieff, Elspeth. “Aritsts, old and new, in residence,” The Art Newspaper, July-August, Edition No. 127,          p. 12
“Rivers and Tides,” SF Weekly, July 10-16, p. 51
“Andy Goldsworthy’s Nation-Wide Landscape Project.” www.neuberger.org, Neuberger Museum of Art, 2002

2001
Baker, Kenneth. “A great wall at Stanford: Goldsworthy’s Stone River,” San Francisco Chronicle, January. Palmer, Barbara. “Andy Goldsworthy’s Stone River joins outdoor art collection,” Stanford Report, January. Pincus, Robert L. “A Stone’s Show: Cairn rises in La Jolla to define itself and its place,” San Diego Union     Tribune, February.
Cenac, L., “Sculpteur de nature”, Madame Figaro, May 2001
Harper, James G., “The Verso & the Contemporary Artist”, Vrso, The Flip Side of Master Drawings, 2001,          pp. 18-20
Cibulski, Dana Mouton, “REVIEWS northeast”, Art Papers, May/June 2001, p. 43
Germain, Christiane, “AD exclusif”, Architectural Digest, June 2001, pp. 50-55

2000
Tromble, Meredith. “Peripheral Vision,” Art Week, February.
“The Notebooks and Photographs of Andy Goldsworthy”, THE magazine, March/April, pp. 27-37.
“Andy Goldsworthy: Storm King’s Exhibition for 2000”, Sculpture News, Vol. 10, No. 1, Spring 2000
“Talent”, New York, August 28, 2000, p. 177
“Artists’ visions”, 92nd St. Y Catalog, Winter/Spring 2000
“Andy Goldsworthy at Storm King Art Center”, www.skac.org, 2000
“The ‘Snowballs in Summer’ project”, www.eyestorm.com/events/goldsworthy/project.html
“Was isn’t ‘Art In Nature’?”, Kultur Konzepte, Munich: Sprengel GmbH
“Andy Goldsworthy: Fall creek Project” and selected excerpts from his Lurcy Lecture, The Members’ Newsletter
    of The Herbert F. Johnson Museum of Art, Cornell University, Spring 2000.
Allen, Joan Ingramm “Andy Goldsworthy”, New Art Examiner,
Baker, Kenneth. “Andy Goldsworthy,” ARTnews, National Reviews, December
Barrenche, Raul, “Sermons in Stone”, House Beautiful, September 2000
Bodman, Conrad and Andy Goldsworthy, “Interview with Andy Goldsworthy”,
     www.eyestorm.com/events/goldsworthy/interview.html, 2000
Cline, Lynn, “Natural Magic”, The New Mexican, March 31- April 6, 2000
Chambers, Christopher, “Curators Choice Pertaining to Environmental Sculpture” NY Arts, March
Craig, David, “Perfectly Mobile, Perfectly Still”, London Review of Books, December, pp. 34-35
Daniel, Diane, “Roll over hill, over dale, to West Point, sculpture park”, The Boston Globe, October 4, C7
Forgey, Benjamin, “Out Standing in Its Field”, Washington Post, August 27, 2000
Forgey, Benjamin, “World-class sculpture makes the scene in NY”, Dallas Morning News, September 17
Frankel, David, “Andy Goldsworthy”, Artforum, October 2000, p. 144
Glaser, Sheila F., “A Fragile Landscape”, Madison, May/June, 2000, pp. 86-91.
Goldsworthy, Andy, “Artist’s Eye”, Art Review, July/August 2000, p. 41 (Excerpt from Time).
Henry, Clare, “Natural Inclinations”, Art Newspaper, No. 106, September 2000
Jodidio, Philip, “Andy Goldsworthy: L’Homme qui parle aux murs” Connaissance des Art, July-August 2000,     pp. 118-123
Johnson, Ken, “Andy Goldsworthy”, The New York Times, June 9, 2000, p. E29.
Johnson, Ken, “Indoor-Outdoor Relations Along the Hudson Valley”, The New York Times,
    July 21, 2000
Kaufman, Jason Edward, “Following Inspiration Across Hill and Dale”, The Wall Street Journal, July 18, 2000
Kaufman, Jason Edward, “Goldsworthy’s Wall Goes for a Walk at Storm King”, www.artstar.com,
    Issue 24, 2000
Kimmelman, Michael, “Beyond City Limits: Art for the Summertime”, The New York Times, July 21
Lebowitz, Cathy, “Andy Goldsworthy at Storm King Art Center and Galerie Lelong”, Art in America,
    October 2000, pp. 175-176
Mc Murtrie, John. “Artist’s Message Written in Sand,” San Francisco Chronicle, B1, Monday, October 16.
Ormond, Mark, “Art meets nature at NY’s Storm King Art Center”, Pelican Press, September 7.
Pachner, Joan, “Visions and Vistas: A Sculpture Collection Evolves at the Storm King Art Center” in Earth, Sky,     and Sculpture: Storm King Art Center, Mountainville, New York: Storm King Art Center, 2000. pp. 178-189.
Saatchi, Doris Lockhart, “Organic Chemistry”, The Independent on Sunday, London, May 14, 2000
Zimmer, William, “A Grand Creation That Crosses a Road”, New York Times, Westchester edition,
    October 8, 2000, p. 12.
Zinnes, Harriet, “Andy Goldsworthy: “ A Line on Wall”, NY ARTS, September 2000, p 76

1999
Chattopadhyay, Collette, “Andy Goldsworthy”, Sculpture, October 1999, pp. 54-55.
Goldsworthy, Andy, “Time, Change, Place”, Interior Worlds: The Year 2000. Special suppliment to World of     Interiors, 1999.
Fehrenkamp, Ariane, “The Wall That Went For a Walk,” Sculpture, March.
“Powder”, essay by Francesco Bonami, The Aspen Art Museum, 1999

1998
Artner, Alan G. “Artist plays a waiting game with nature,” The Chicago Tribune, February 12.
Baker, Kenneth. "Museum of the Millennium,” San Francisco Sunday Examiner, November 16.
Bonetti, David. "Gallery Watch,” San Francisco Examiner, December 13.
Chattopadhyay, Collette. “ Andy Goldworthy, Getty Research Institute,” Sculpture, December.
Deacon, Roger. "Zen and the Art of Andy Goldsworthy,” Modern Painters, March.
Goff, Robert. “The Wallmaker”, Forbes Magazine, November issue, pp. 392-393
Grande, John. “Andy Goldsworthy, Arch, Musée d’Art Contemporain, Montreal”, Art on Paper Magazine,
     Vol. 3, No. 1, Sept/Oct.
Huesner, Jeffrey. “Uncool, wrong place, wrong time for a frozen sculpture”, Reader, February 20,
     Vol. 27, No. 20
Kerner, Anne. “Andy Goldsworthy naturellement”, Connaissance des Arts, Juin
Kino, Carol. "Andy Goldsworthy,” Art News, November.
Kleiner, Adam. “Set in Stone”, Sotheby’s International Realty – Domain, Première issue, “Closing”
Niesewand, Nonie. “Edinburgh’s new stronghold”, An Independent Eye, May 21.
Scarlett, Ken. “Herring Island Environmental Sculpture Park in Melbourne Australia”, Sculpture, March.
Simenc, Christian. “Andy Goldsworthy”, Maisons et Jardins, Juin
Updike, John. "Beyond Pretty Scenery,” Seattle Times, January.
”Andy Goldsworthy”, Libération, 12 Juin
“Andy Goldsworthy”, Télérama, Hors Serie Eté
“Andy Goldsworthy, Quel temps”, France Aéroport, Juin

1997
“Goldsworthy l’arpenteur”, L’Oeil, Juin
“Goldsworthy dans Paris”, Connaissance des Arts, Juin
“Andy Goldsworthy, Snow king”, Eurostar, Juin
“Andy Goldsworthy”, Valeurs Actuelles, 4/10 Juillet
“Andy Goldsworthy capture la nature!!!” Seven, Juin
“Andy Goldsworthy”, Newsweek (Society & The Arts, Summer, Art: What to see), 22 Juin
“Andy Goldsworthy”, le Nouvel Observteur (Expositions), 2 Juillet.
Baker, Kenneth, "An Earthy Show," San Francisco Sunday Examiner, February 19.
Baker, Kenneth, "Searching for the Window Into Nature's Soul,” Smithsonian Magazine, February.
Maclay, Catherine, "Grounds for Exploration," San Jose Mercury News, February 5.
Sherman, Ann Elliott, "Bound to Earth," Metro, February -March.
Thym, Jolene, "An Artist by Nature," The Oakland Tribune, February.

1996
Baker, Kenneth, "Goldsworthy's Natural Approach," San Francisco Chronicle, June
Brevan, Roger, "A Snake in the British Museum," The Art Newspaper, December.
Cameron, Dan, "Art for the New Year: Who's Worth Catching?,” Art & Auction, January.
Christian, Bruce, "Scottsdale Center Presents "Nature Oriented Shows," Scottsdale Life, August 18
Church, Michael, "Andy Goldsworthy: A Shower of Stones, a Flash in the River," The Sunday Telegraph,
     April 10.
Cork, Richard, "Andy Goldsworthy: Truth Written in Stone," The Times, April 19.
Farr, Shiela, "Four to Go," The Bellingham Herald, November 19.
Farr, Shiela, "Andy Goldsworthy: Stone Works in America," Reflex December/January.
Grout, Catherine," Andy Goldsworthy: A Pragmatic Aesthetics," ArtPress Magazine, May.

1995
Hamlin, Jesse, "Andy Goldsworthy: Artist Lets Nature Lest Take its Course," The San Francisco Chronicle,
     May 4.
Henry, Clare, "Andy Goldsworthy: Stone Shapes a Life," The Herald, April 22.
Lillington, David, "Andy Goldsworthy: Organic Chemistry," Time Out Magazine, April 13-20.
Macritchie, Lynn, "Residency on Earth," Art in America, April.

1994
Nilsen, Richard, "Show only a Nibble of Goldsworthy Art," The Arizona Republic, September 25.
Widdicombe, Gillian, "Andy Goldsworthy: Between a Rock and a Hard Place," The Independent, April 13.
Wishart, Ruth, "Andy Goldsworthy: Art without Additives," The Scotsman Weekend, April 16.

1993
Bourdon, David, "Andy Goldsworthy at LeLong," Art in America, November.
Cork, Richard, "Burnished in Bush Country," The Times, May 28.
Hagen, Charles, "Art in Review," The New York Times, September 17.
Newhall, Edith, "Andy Goldsworthy," New York Magazine, September 13.
Padon, Thomas, "Andy Goldsworthy," Sculpture Magazine, January-February.
Rubenstein, Raphael Meyer, "Andy Goldsworthy, Galerie LeLong," Art in America, December.
"Andy Goldsworthy," The New Yorker, September 27.

1992
Bartlett, Mark, "A Tribe of One: Andy Goldsworthy at Haines Gallery," ArtWeek, July 9.
Isaac, David, "When Leaves Turn to Gold," Echoes, March 24.
Sherman, Mary, "Brandeis show probes Breakdown in Contemporary Life," The Boston Sunday Herald,
     April 12.
Stapen, Nancy, "Bringing Nature Inside the Museum," The Boston Sunday Globe, March 29.
Tromble, Meredith, "A Conversation with Andy Goldsworthy," ArtWeek, July 9.

1991
Nesbitt, Paul, "A Landscape Touched by Gold," Commissions.
Prince, Geraldine, "With Mud on Their Hands: Growth, Decay and the Movement of Change,"World Magazine,
     January.

1990
Buchanan, Peter, "The Nature of Goldsworthy," The Art Review.
"Places/Artists: Andy Goldsworthy," Blitz, July.
"Andy Goldsworthy: Geometry and Nature," Art and Design, Summer.

1989
The Independent, August 5.
Baginsky, Yvonne, "Sculptor for Whom Success Snowballs," Scotland on Sunday, January 15.
Januszczak, Waldemar and Packer, William, "The Magic of Icicle Works," and "Andy Goldsworthy's
     Transient Touch," Sculpture, July/August.
Watkins, Jonathan, Art International, Winter.

1988
Graham-Dixon, Andrew, "Turning Over an Old Leaf," The Independent, February 3.

PUBLICATIONS
2010
The Andy Goldsworthy Project, Published by Thames & Hudson, New York

2007
Enclosures, Published by Abrams, Inc., New York

2004
Passage, Published by Abrams, Inc., New York
Rivers and Tides, DVD

2001
Midsummer Snowballs, Published by Abrams, Inc., New York

2000
Wall by Andy Goldsworthy, Published by Abrams, Inc., UK
Time, Published by Abrams Inc., UK
Arch by Andy Goldsworthy, Published by Thames and Hudson, UK

1998
Andy Goldsworthy, Reperes #97, Galerie Lelong

1996
Wood, Published by UK - Viking; U.S.A. - Abrams Inc.; France - Editions
Anthese; Germany - Zweitausendeins
Sheepfolds, Published by Michael Hue-Williams Fine Art Ltd., London

1996
Alaska Works, Andy Goldsworthy, Published by Anchorage Museum of History and Art & Alaska Design     Forum
Vegetal, Published by Ballet Atlantique-Regine Chopinot, France

1995
Black Stones, Red Pools, Published by The Pro Arte Foundation and Michael Hue-Williams Fine Art Ltd;     Galerie LeLong, New York

1994
Stone, Published by UK - Viking; U.S.A. - Abrams Inc.; France - Editions Anthese

1993
Two Autumns, published by Tochigi Prefectural Museum of Fine Arts, Japan

1992
Ice and Snow Drawings, published by The Fruitmarket Gallery, Edinburgh

1991
Hand to Earth, published by U.K. - W.S. Maney, Leeds; U.S.A. - Abrams Inc.
Sand Leaves, published by The Arts Club of Chicago, Illinois

1989
Andy Goldsworthy, published by UK - Viking; U.S.A. - Abrams Inc.; France - Editions Anthese; Germany -     Zweitausendeins

1989
Touching North, published by Fabain Carlssson/Graeme Murray, Edinburgh, Scotland
Garden Mountain, published by Galerie Aline Vidal, Paris

1987
Parkland, Yorkshire Sculpture Park, Bretton Hall College, Wakefield, West Yorkshire, England
Leaves, published by Common Ground, London, England
Mountain and Coast and Autumn into Winter, published by Gallery Takagi, Nagoya, Japan

1985
Rain Sun Snow Hail Mist Calm, published by The Henry Moore Centre for the Study of Sculpture, The Henry Moore Institute, Leeds, England

AWARDS AND COMMISSIONS
2010-2011
“Wood Line,” Presidio of San Francisco, San Francisco, California, U.S.A.

2008
“Spire,” Presidio of San Francisco, San Francisco, California, U.S.A.
“Coppice Room,” Private Collection, East Sussex, U.K.
“Striding Arches,” Commissioned by Dumfries and Galloway Arts Association, Cairhead Community Forest
     Trust Ltd, and Forestry Commission Scotland.
“Cornell Cairn,” Cornell University, Ithaca, New York, U.S.A.
“Refuges des Arbres,” Private Collection, France
“Clay Wells,” Collection of Jeanne and Michael Klein, Santa Fe, New Mexico, U.S.A.
“Refuge d’Art, La Forest” ; Refuge d'Art Commissioned by Réserve Géoligique de
Haute-Provence and Musée Gassendi, Digne-les-Baines, France
“En las entrañas del árbol” at the Palacio de Cristal, Parque del Retiro, Museo Nacional Centro de Arte,
     Reina Sofia, Madrid, Spain

2007-2008
“Clay Houses,” Glenstone, Potomac, Maryland, U.S.A.

2007
“Outclosure,” Yorkshire Sculpture Park, Wakefield, U.K.
“Shadow Stone Fold,” Yorkshire Sculpture Park, Wakefield, U.K.

2006-2007
“Stone River,” Aspen Institute, Aspen, Colorado, U.S.A.

2006
“Arch Between Two Rocks,” Private Collection, Nevada City, California
“Oak Cairn,” Private Collection, U.K.
“Hanging Trees,” Yorkshire Sculpture Park, Wakefield, U.K.
“Dome Hole,” Collection of Jerry Murdock, Colorado, U.S.A.
“Slate Wall,” Commissioned by Grosvenor and Native Land, London, U.K.

2005
“Drawn Stone,” De Young Museum, Fine Arts Museums of San Francisco, San Francisco, California, U.S.A.
“Falling Tree,” Private Collection, U.S.A.
“Stone House,” Private Collection, Richmond, Massachusetts, U.S.A.
“Refuge d’Art, Le Vieil Esclangon” ; Refuge d'Art Commissioned by Réserve Géoligique de
Haute-Provence and Musée Gassendi, Digne-les-Baines, France
“Grand Rapids Arch,” Frederik Meijer Gardens and Sculpture Park, Grand Rapids, Michigan, gift of Fred
     and Lena Meijer, U.S.A.
“Eleven Arches,” The Farm, Kaipara Harbour, New Zealand
“New at the Neuberger: Recent Acquisitions,” Newberger Museum of Art, Purchase, NY
“Stone Wall,” Private Collection, Martha’s Vineyard, Massachusetts

2004-2005
“Roof,” National Gallery of Art, Patrons’ Permanent Fund, Washington D.C., U.S.A.
“Stone Houses,” Private Collection, Massachusetts, U.S.A.

2004
“Work for the Door: Clay and Light,” Collection of Jerry Murdock, Colorado
“Scripps Cairn,” The Scripps Research Institute, La Jolla, California, U.S.A.
“Garden of Stones,” The Museum of Jewish Heritage, New York, NY
“Three Cairns,” Neuberger Museum of Art, Purchase, New York
“Three Cairns,” Museum of Contemporary Art, San Diego, California
“The Dow Arch,” Private Collection, Atherton, California,
“Coleridges Walk, Sheepfold,” Cumbria
“Tilberthwaite, Seepfold,” Cumbria
“Oak Brance Cairn,” and “Clay Wall,” La Jolla, California
“Garden of Remembrance,” Jewish Heritage Museum, New York
Sun Valley, Idaho, private commission
"Refuge d’Art, Col de L’Escuichière" ; Refuge d'Art Commissioned by Réserve Géoligique de Haute-Provence
     and Musée Gassendi, Digne-les-Baines, France
“Crosby Ravensworth Pinfold Cone” ; Sheepfolds Project Commissioned by Cumbria County Council, U.K.
“Stone River,” Private Collection, Berkshire, U.K.
“Bracken Mound,” Private Collection, Berkshire, U.K.
“Wichita Arch,” Ulrich Museum of Art, Wichita State University, Kansas, U.S.A.

2003
“Photographic Suite: Clay,” National Gallery of Art, Washington, DC
“Dow Arch,” Private Collection, California, U.S.A.
Kentucky, Knob, Pittsburgh, Private Collection
"Refuge d'Art, Ferme Belon" ; Refuge d'Art Commissioned by Réserve Géoligique de Haute- Provence and
     Musée Gassendi, Digne-les-Baines, France
“Cairn and Boulder,” Herbert and Ann Burger, Massachusetts, U.S.A.
“Slate Fold” ; “Drove Arch Hut and Toby’s Fold” ; Sheepfolds Project Commissioned by Cumbria
     County Council, U.K.
“Floodplain Cairn,” Private Collection, Western U.S.A.
“Flood Line,” Private Collection, Western U.S.A.
“Tree Line,” Private Collection, Western U.S.A.
“Garden of Stones,” Museum of Jewish Heritage – A Living Memorial to the Holocaust, New York
     City, U.S.A.
“Washington Diary,” National Gallery of Art, Washington, DC
“House of Drax arches,” Digne le Bains, France
Royal Mail Christmas 2003 stamps, six images

2002
“West Coast Cairn,” Museum of Contemporary Art San Diego, La Jolla, California
“Chalk Boulders,” Sussex Downs, England
“Moonlit Path,” Leconfield Estate, Petworth, England
“Three Cairns Project,” Des Moines, Iowa, USA
“Chalk Stones,” Commissioned by the Pallant House Gallery, Chichester, the National Trust/Petworth House,
     Lord and Lady Egremont, and Leconfield Estate with the support of the Arts Council of England, U.K.
“Night Path,” Commissioned by the Pallant House Gallery, Chichester, and the South Downs Conservation
     Board with support of the Edward James Foundation, West Dean with the support of the Arts Council of
     England, U.K.
“Refuge d’Art, Chapelle Ste Madeline” ; “Refuge d’Art, Les Bains Thermaux” ; Refuge d'Art Commissioned by
     Réserve Géoligique de Haute-Provence and Musée Gassendi, Digne-les-Baines, France
“Oak Cairn,” Private Collection, Charente, France
“Goodwood Arch,” Hathill Scuplture Park, Goodwood, England
“Pool of Light,” Private Collection, Charente, France
“Warcop Pinfold Cairn” ; “River Stone Fold” ; “Corner Cairn Fold” ; “Corner Stone Fold” ; Sheepfolds Project
     Commissioned by Cumbria County Council, U.K.

2001-2002
“Three Cairns,” Neuberger Museum of Art Purchase College, New York, U.S.A.; Museum of Contemporary Art San Diego, La Jolla, California, U.S.A.; Des Moines Art Center, Des Moines, Iowa, U.S.A.

2001
“Cone,” University of Hertfordshire, U.K.
“Brough Pinfold Cairn” ; “Bolton Pinfold Cairn” ; “Melmerby Washfold” ; Sheepfolds Project Commissioned
     by Cumbria County Council, U.K.
“Neuberger Cairn,” Neuberger Museum of Art, Purchase College
“Slate Cairn,” University of Hertfordshirem, UK
“Dunesslin Cairn,” part 3, Dumfiesshire
“Clougha Pike,” part 3, Abbeystead Estate, Duchess of Westminster, Lancaster
“Sentinal,” part 2, Digne, France
“Oak Cairn,” Ruffec, France
“Twin Oaks,” Berkshires, USA
“Stone River,” Cantor Center for the Visual Arts, Stanford University, California, U.S.A.
“Heart of Oak (Coeur de Chêne),” Private Collection, Charente, France

2000-2001
“Mountjoy Tree Folds (Sheepfolds Project),” Commissioned by Cumbria County Council, U.K.

2000
“Two Oak Stacks,” Private Collection, Richmord, Massachusetts, U.S.A.

1999-2001
“Sentinels (Les Sentinelles),” Commissioned by Réserve Géoligique de Haute-Provence and Musée Gassendi,
     Digne-les-Baines, France
“Clougha Pike Chambers,” Private Collection, U.K.

1999-2000
“Millennium Cairn,” Private Collection, California, U.S.A.
“Millennium Arch,” Robert Hiscox, Wiltshire, U.K.
“Megan’s Fold (Sheepfolds Project),” Commissioned by Cumbria County Council, U.K.
“Penport Cairn,” Penpont Community Council, Dumfriesshire, U.K.

1999
Staatsbosbeheer (Dutch State Forest), venues Het Zandspoor, Oorsprongweg and Kasteel Groenveld,
     Groenveld, Holland
“Sentinal,” Digne, France
“River of Earth (Riviére de Terre),” Collection of Musée Gassendi, Digne-les-Baines, France
“Logie Cairn,” Aberdeenshire, U.K.
“Dunesslin Cairn,” Dumfriesshire, U.K.
“Clougha Pike,” Abbeystead Estate, Duchess of Westminster, Lancaster
“Arch,” private commission, Montreal, Canadad
“Millenium Arch,” private commission Wilshire
“St. Bruno Arch,” Collection of Guy Laliberte, St. Bruno, Canada
“Folded Wall,” Private Collection, Orange County, New York, U.S.A.

1998
“Slate Cairn and Chamber,” British Airways Art Collection, U.K.
“Enclosure,” National Museum of Scotland, Edinburgh, U.K.
“Clay Walls,” National Museum of Scotland, Edinburgh, U.K.
“Montreal Arch,” Cirque du Soleil Collection, International Headquarters, Montreal, Canada
“Glenluce Stones,” Private Collection, Dumfriesshire, U.K.
Water Cairns,” Commissioned by Ville de Digne-les-Bains, France
“Hutton’s Roof,” National Museum of Scotland, Edinburgh, U.K.
“Oak Ball,” Private Collection, Brussels Belgium

1997-1999
"Storm King Wall,” Storm King Art Center, Mountainville, New York, U.S.A.

1997
“Clay Holes,” Getty Research Institute, Los Angeles, California, U.S.A.
“Eleven Arches,” Private Collection, Poundridge, New York, U.S.A.
“Herring Island Cairn,” Herring Island Environmental Sculpture Park, Melbourne Parks Victoria, Australia
“Stone House,” Herring Island Environmental Sculpture Park, Melbourne Parks Victoria, Australia

1996-1997
“Jack’s Fold (Sheepfolds Project),” Cumbria County Council, U.K.
“Leafworks,” Private Collection, Gift to the Iris and B. Gerald Cantor Center for Visual Arts, Stanford
     University, CA

1996
“Cone,” Private Collection, Stockholm, Sweden
“Drove Stones (Sheepfolds Project),” Cumbria County Council, U.K.
“Raisbeck Pinfold Cairn (Sheepfolds Project),” Cumbria County Council, U.K.
“Field Boulder Fold, Mungrisdale (Sheepfolds Project),” Cumbria County Council, U.K.
“Redmire Farm Fold, Mungrisdale (Sheepfolds Project),” Cumbria County Council, U.K.
“Outhgill Pinfold Cairn (Sheepfolds Project),” Cumbria County Council, U.K.
“Clay Wall,” Haines Gallery, San Francisco, California, U.S.A.
“Three Roadside Boulders,” Private Collection, New York, U.S.A.

1995
“Stamps,” Royal Mail’s Spring issue, England (5 stamps)
“Buckhorn Cone,” Private Commission, New York, U.S.A.
“Cone,” Private Commission, Oxfordshire, U.K.
“Cone,” Private Collection, California, U.S.A.
“Hole,” Private Collection, Stockholm, Sweden

1993-1994
“Clayworks,” Runnymede Sculpture Farm, Woodside, California, U.S.A.

1993
“Cone,” Royal Botanic Gardens, Edinburgh, U.K.
“Wood Through Wall,” Private Collection, New York, U.S.A.
“Corner Cones,” Private Collection, France
“Stone Gathering,” Collection of The Right Hon. The Viscount Devonport, Ray Demesne, Kirkwhelpington,
     Northumberland, U.K.
“Rock Fold,” Private Collection, Barfil, Dumfriesshire, U.K.
“Fieldgate,” Private Commission, Poundridge, New York

1992
“Black Spring,” Botanic Gardens of Adelaide, Adelaide, Australia
“Two Folds,” Centre International d’Art et du Paysage, Île de Vassivière, Limousin, France
“Cone,” Private Collection, Dumfriesshire, U.K.
“Floodstones Cairn,” Private Collection, Pennsylvania, U.S.A.
“Room,” Private Collection, Pennsylvania, U.S.A.

1991
“Cone,” Les Jardins de la Petite Afrique, Monte Carlo, Monaco
“Seven Holes,” Greenpeace U.K., London, U.K.
“Three Sandstone Cairns,” Dumfriesshire Educational Trust, Gracefield Arts Centre, Dumfries, U.K.
“Cone,” Gateshead Council, Riverside Sculpture Park, Gateshead, U.K.

1990 “Touchstone North,” Dumfriesshire, U.K.
“Slate Dome Hole,” Royal Botanic Gardens, Edinburgh, U.K.
“Grizedale Wall,” Grizedale Forest, Cumbria, U.K.

1989
“Leadgate Maze,” Sustrans National Cycle, U.K.
“Cairn and Line to Follow Changes in Color,” Private Collection, Arizona, U.S.A.
“The Wall,” Stonewood, Dumfriesshire, Scotland

1988
“Slate Cone,” Government Art Collection, U.K.
“The Give and Take Wall,” Stone Wood, Scaur Glen, Dumfriesshire, U.K.
“Slate Stack,” Stone Wood, Scaur Glen, Dumfriesshire, U.K.
“Slate Cone,” Grizedale Forest, Cumbria, U.K. (Decommissioned about 2000)
“Lambton Earthwork,” Sustrans National Cycle Network, U.K.

1987
“Slate Hole,” Stone Wood, Scaur Glen, Dumfriesshire, U.K.

1986
“Hooke Park Entrance,” Common Ground, Dorset, U.K.

1985
“Sidewinder,” Grisedale Forest, Cumbria, U.K. (Decommissioned between 1998 and 1999)

1984
“Seven Spires,” Grisedale Forest, Cumbria, U.K. (Decommissioned in 1998)

SELECTED COLLECTIONS
Achenbach Collection, The Fine Arts Museum, San Francisco, California
Anchorage Museum of History and Art, Anchorage, Alaska
Arnolfini Collection Trust, Bristol, England
Arthur Andersen Collection
Aspen Institute, Aspen, Colorado
The Arts Council of Great Britain, London
Auckland City Art Gallery, New Zealand
Bradford Art Galleries & Museums, Yorkshire, England
The British Council, London, England
Cantor Center for Visual Arts, Stanford University, Palo Alto, California
Carlisle Museum and Art Gallery, Cumbria, England
Cass Sculpture Foundation, Goodwood, West Sussex, England
Common Ground, London, England
Conoco (United Kingdom) Limited
The Countryside Commission, United Kingdom
de Young Museum, San Francisco, CA
The Department of the Environment, London, England
Fogg Art Museum, Cambridge, Massachusetts
Fukuyama Museum of Art, Hiroshima, Japan
Government Art Collection, London, England
Grizedale, Cumbria (Northern Arts & the Forestry Commission), England
Harrogate Art Gallery, Yorkshire, England
Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York
Donald Hess, Switzerland, Napa Valley, California
Jupiter Artland, Edinburgh, Scotland
Leeds City Art Galleries & the Henry Moore Centre for the Study of Sculpture, Yorkshire, England
Los Angeles County Museum of Art, Los Angeles, California
LYC Museum and Art Gallery, Nagoya, Japan
McMaster Museum of Art, Hamilton, Ontario, Canada
Musee des Beaux-Arts Andre Malraux, Le Havre, France
Museum of Jewish Heritage, New York
Nagoya City Art Gallery, Nagoya, Japan
National Museum of Art, Washington, D.C.
National Museum of Scotland, Edinburgh, Scotland
National Westminster Tower Art Collection, England
Newcastle Polytechnic Permanent Collection, Northumberland, England
Princeton Art Museum, Princeton, New Jersey
Runnymede Sculpture Farm, Woodside, California
Saint Martin’s College, Lancaster, England
San Francisco Museum of Modern Art, San Francisco, California
San Jose Museum of Art, San Jose, California
The Scottish Arts Council, Edinburgh, Scotland
Scripps Research Institute, La Jolla, California
Setagaya Art Museum, Tokyo, Japan
Storm King Art Center, Mountainville, New York
Sweet Briar College Art Gallery, Sweet Briar, Virginia
Tochigi Prefectural Museum of Fine Arts, Tochigi, Japan
Ulrich Museum of Art, Wichita State University, Wichita, Kansas
Usher Art Gallery, Lincoln
University of Warwick, Coventry, England
Weatherspoon Art Gallery, Greensboro, North Carolina
Whitworth Art Gallery, University of Manchester, England
Yorkshire Sculpture Park, West Bretton, Wakefield, England