John Chiara
Andy Goldsworthy
Chris McCaw
Meghann Riepenhoff
A year after its first iteration, Sheltering Arms II presents recent works by artists for whom nature is both subject and collaborator: John Chiara, Andy Goldsworthy, Chris McCaw, and Meghann Riepenhoff.
“It would be delightful,” the great naturalist John Muir reflected, “to be storm-bound beneath one of these noble, hospitable, inviting old trees, its broad sheltering arms bent down like a tent, incense rising from the fire made from its dry fallen branches, and a hearty wind chanting overhead.” Like Muir, the artists included in this exhibition bring us the poetry of the natural world, along with some of the comfort it can offer.
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JOHN CHIARA -
John Chiara
Moore Road at Sommerville Road, 2020
49 x 39 inches$19,000
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"I have been photographing California for most of my life. How this landscape has been depicted through photography, cinematography, and painting has left a deep impression on me. Our collective sense of it comes, in part, from all that has been projected onto us; a collective memory."
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ANDY GOLDSWORTHY -
Celebrated artist Andy Goldsworthy creates his sculptures, installations, and ephemeral works — actions and creations that last only a moment in time, documented in his photographs — with natural materials such as leaves and flowers, branches, stone and dirt, even ice and water. Each work is uniquely informed by the seasons, the site and what it provides, revealing the poetry of our surroundings and the deep connections we share with them.
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Andy Goldsworthy
Leaf Cone, 1987
12.5 x 3.5 x 4 inches
Price Upon Request
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“I take nothing out with me in the way of tools, glue or rope, preferring to explore the natural bonds and tensions that exist within the earth. Each work is a discovery.”
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CHRIS MCCAW -
Chris McCaw’s experimental photography harnesses the visceral contribution of unpredictable forces — light, weather, and seasons — to create his highly polished images. In his iconic Sunburn series, the high powered lenses of his hand-built cameras allows the sun to literally burn a path across light sensitive photo paper.
Over long exposures lasting several hours or a full day, the sun appears as a scorched, searing arch over the landscape — across deserts and mountain ranges, reflected in the glossy surface of lakes. “You aren't just documenting the sun,” McCaw has said, “but wind, clouds, and tidal flows." The resulting works disrupt the idea of photography as simply a representation of reality, instead becoming an embodiment of the Earth’s constant rotation and the passage of time. -
“I think nothing now of spending a day, even a week, in the same place, just watching shadows move, watching how the land is experienced.”
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MEGHANN RIEPENHOFF -
Meghann Riepenhoff
Ice #150 (31-44℉, Ephemeral Waterfall Pool, 11.29.20), 2020
42 x 60 inches
Sold
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“I want my work to serve as a point of connection, a starting place to think about how we relate to our environment.”
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Meghann Riepenhoff
Ecotone #937 (Bainbridge Island, WA 11.3.20, Dawn to Dusk, Draped On Lilac, Intermittent Storms, Tears), 2020
Unique Dynamic Cyanotype
60 x 42 inches
Sold
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Meghann Riepenhoff
Ecotone #941 (Bainbridge Island, WA 10.29.20, Persistent Drizzle, Draped in Rain Garden), 2020
Unique Dynamic Cyanotype
60 x 42 inches
Sold
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ABOUT THE ARTISTS