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Artist Digest: Binh Danh

Current viewing_room

  • Binh Danh

    Artist Digest

  • Conversations

    • 'As someone who likes to know about my history, I'm not just thinking about the scenery of a place and...

      "As someone who likes to know about my history, I'm not just thinking about the scenery of a place and the natural beauty in front of me—I want to think about the history too."

      Binh Danh joins Tyler Green for on an episode of the Modern Art Notes podcast.
    • 'In the action of making pictures, I'm looking for hope and resiliency within our complex problem'

      "In the action of making pictures, I'm looking for hope and resiliency within our complex problem"

      Binh Danh speaks about his contemporary daguerreotypes in Ansel Adams in Our Time at the de Young Museum .
  • Studio Visit Take a virtual tour of Binh Danh's studio in California and his mobile darkroom Louis — named after...

    Studio Visit

    Take a virtual tour of Binh Danh's studio in California and his mobile darkroom Louis — named after Louis Daguerre, inventor of the daguerreotype process — in this interview with Colorado State University's Gregory Allicar Museum of Art

  • Works

    • Binh Danh El Capitan, Yosemite, CA, June 7, 2012, 2012 Daguerreotype (in camera exposure) 13 x 11.5 inches, framed
      Binh Danh
      El Capitan, Yosemite, CA, June 7, 2012, 2012
      Daguerreotype (in camera exposure)
      13 x 11.5 inches, framed
      Inquire
      %3Cdiv%20class%3D%22artist%22%3EBinh%20Danh%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EEl%20Capitan%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3EYosemite%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3ECA%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3EJune%207%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E2012%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2012%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EDaguerreotype%20%28in%20camera%20exposure%29%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E13%20x%2011.5%20inches%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eframed%3C/div%3E
    • Binh Danh Death Valley National Park (Zabriskie Point #2), 2016 Daguerreotype, Unique (in-camera exposure) 14.5 x 12.75 inches, framed
      Binh Danh
      Death Valley National Park (Zabriskie Point #2), 2016
      Daguerreotype, Unique (in-camera exposure)
      14.5 x 12.75 inches, framed
      Inquire
      %3Cdiv%20class%3D%22artist%22%3EBinh%20Danh%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EDeath%20Valley%20National%20Park%20%28Zabriskie%20Point%20%232%29%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2016%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EDaguerreotype%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3EUnique%20%28in-camera%20exposure%29%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E14.5%20x%2012.75%20inches%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eframed%3C/div%3E
    • Binh Danh Winter in Yosemite, 2021 Daguerreotype, Unique (in-camera exposure) 12.75 x 14.5 inches, framed
      Binh Danh
      Winter in Yosemite, 2021
      Daguerreotype, Unique (in-camera exposure)
      12.75 x 14.5 inches, framed
      Inquire
      %3Cdiv%20class%3D%22artist%22%3EBinh%20Danh%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EWinter%20in%20Yosemite%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2021%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EDaguerreotype%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3EUnique%20%28in-camera%20exposure%29%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E12.75%20x%2014.5%20inches%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eframed%3C/div%3E
    • Binh Danh Mather Point, Grand Canyon National Park, 2016 Daguerreotype, Unique (in camera exposure) 12.75 x 19 inches, framed
      Binh Danh
      Mather Point, Grand Canyon National Park, 2016
      Daguerreotype, Unique (in camera exposure)
      12.75 x 19 inches, framed
      Inquire
      %3Cdiv%20class%3D%22artist%22%3EBinh%20Danh%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EMather%20Point%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3EGrand%20Canyon%20National%20Park%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2016%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EDaguerreotype%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3EUnique%20%28in%20camera%20exposure%29%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E12.75%20x%2019%20inches%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eframed%3C/div%3E
    • Binh Danh View from Bernal Heights Summit, San Francisco, CA (#2), 2014 Daguerreotype, Unique (in-camera exposure) 13.75 x 20 inches, framed
      Binh Danh
      View from Bernal Heights Summit, San Francisco, CA (#2), 2014
      Daguerreotype, Unique (in-camera exposure)
      13.75 x 20 inches, framed
      Inquire
      %3Cdiv%20class%3D%22artist%22%3EBinh%20Danh%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EView%20from%20Bernal%20Heights%20Summit%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3ESan%20Francisco%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3ECA%20%28%232%29%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2014%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EDaguerreotype%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3EUnique%20%28in-camera%20exposure%29%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E13.75%20x%2020%20inches%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eframed%3C/div%3E
    • Binh Danh View from Bernal Heights Summit, San Francisco, CA (#4), 2021 Daguerreotype, Unique (in-camera exposure) 13.75 x 20 inches, framed
      Binh Danh
      View from Bernal Heights Summit, San Francisco, CA (#4), 2021
      Daguerreotype, Unique (in-camera exposure)
      13.75 x 20 inches, framed
      Inquire
      %3Cdiv%20class%3D%22artist%22%3EBinh%20Danh%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EView%20from%20Bernal%20Heights%20Summit%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3ESan%20Francisco%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3ECA%20%28%234%29%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2021%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EDaguerreotype%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3EUnique%20%28in-camera%20exposure%29%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E13.75%20x%2020%20inches%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eframed%3C/div%3E
    • Binh Danh B and C Laundromat Barbary Coast Trail, Chinatown, 2014 Daguerreotype, Unique (in camera exposure) 13.185 x 14.875 inches, framed
      Binh Danh
      B and C Laundromat Barbary Coast Trail, Chinatown, 2014
      Daguerreotype, Unique (in camera exposure)
      13.185 x 14.875 inches, framed
      Inquire
      %3Cdiv%20class%3D%22artist%22%3EBinh%20Danh%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EB%20and%20C%20Laundromat%20Barbary%20Coast%20Trail%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3EChinatown%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2014%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EDaguerreotype%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3EUnique%20%28in%20camera%20exposure%29%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E13.185%20x%2014.875%20inches%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eframed%3C/div%3E
    • Binh Danh The Women’s Building, 18th Street, 2014 Daguerreotype, Unique (in camera exposure) 13.185 x 14.875 inches, framed
      Binh Danh
      The Women’s Building, 18th Street, 2014
      Daguerreotype, Unique (in camera exposure)
      13.185 x 14.875 inches, framed
      Inquire
      %3Cdiv%20class%3D%22artist%22%3EBinh%20Danh%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EThe%20Women%E2%80%99s%20Building%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E18th%20Street%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2014%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EDaguerreotype%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3EUnique%20%28in%20camera%20exposure%29%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E13.185%20x%2014.875%20inches%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eframed%3C/div%3E

  • Critic's Corner

  • Possessed by Place: Landscape and longing are central to Binh Danh's innovative photographs.

    Possessed by Place: Landscape and longing are central to Binh Danh's innovative photographs.

    by Jack Fisher

  • ARTIST'S PICKS Emerson's Nature and the Artists: Ideas as Landscape, Landscape as Idea Tyler Green (Prestel, 2021) 'After finishing a... ARTIST'S PICKS Emerson's Nature and the Artists: Ideas as Landscape, Landscape as Idea Tyler Green (Prestel, 2021) 'After finishing a... ARTIST'S PICKS Emerson's Nature and the Artists: Ideas as Landscape, Landscape as Idea Tyler Green (Prestel, 2021) 'After finishing a...

    ARTIST'S PICKS

     

    Emerson's Nature and the Artists: Ideas as Landscape, Landscape as Idea

    Tyler Green (Prestel, 2021)

     

    "After finishing a project daguerreotyping Salina Chinatown, making portraits of some of its longest residents and unhoused community, I plan to return to the land, thinking about how Emerson's teaching could serve us today, as we deal with a landscape changed by climate."

  • From the Vault In his 2005 series Immortality: The Remnants of the Vietnam and American War, Danh imprints archival images... From the Vault In his 2005 series Immortality: The Remnants of the Vietnam and American War, Danh imprints archival images... From the Vault In his 2005 series Immortality: The Remnants of the Vietnam and American War, Danh imprints archival images... From the Vault In his 2005 series Immortality: The Remnants of the Vietnam and American War, Danh imprints archival images...

    From the Vault 

    In his 2005 series Immortality: The Remnants of the Vietnam and American War, Danh imprints archival images conflict onto and into the leaves of tropical plants, using the plants’ natural photosynthesizing abilities. The leaves express the continuum of Vietnam and American War, which lives on forever in the Vietnamese landscape.

  • BACK TO ARTIST PAGE

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